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Murphy on Evidence frames the law of evidence in its practical context. Suitable for both undergraduates and BPTC students, the text is supported by a wealth of online resources based around two fictional cases, bringing the law to life, and developing a clear contextual understanding of the law.
Murphy on Evidence frames the law in its practical context. Suitable for both undergraduates and BPTC students, the text is supported by a wealth of online resources based around two fictional cases, bringing the law to life, and developing a clear contextual understanding of the subject.
'Murphy on Evidence' bridges the gap between the academic and practical treatment of the law of evidence. Written by an author with many years of experience in both practice and teaching, this book contains a comprehensive academic analysis of the law and a wealth of information on how the law is applied.
Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives.
Originally published in 1953, this book presents a biography of the renowned British classical scholar Terrot Reaveley Glover (1869-1943). The text provides a detailed account of Glover's life, from his childhood in Bristol onwards. Notes are incorporated throughout. This book will be of value to anyone with an interest in the life and works of Glover.
This short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen.