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Sergio Bologna has long been one of the sharpest analysts and critics of the changing structures in the contemporary labour market. In this new volume, the Italian thinker focuses on the phenomenon of ‘freelance workers’, and particularly of knowledge workers, not just as another segment within the global workforce, but as an emerging category striving to construct its own identity. Far from limiting his analysis to the realm of the economy, Bologna investigates the difference between employees and freelancers also in terms of their existential experiences and of their social relationships, both in the public and private sphere. On this basis, Bologna argues that the development of a shared identity among freelancers can function as the first step to establishing a network of cooperation and solidarity, all the way to the creation of a union of freelance workers. Himself a freelance worker, Sergio Bologna offers the reader a powerful and passionate argument for political and existential change in the 21st century.
Storming Heave in Steve Wright's unsurpassed study of Italian autonomist Marxism. This new edition remains the only book to examine Italian workerist theory and practice, from its origins in teh anti-Stalinist left of the 1950s to its heyday twenty years later. First developed by Antonio Negri, Mario Tronti, Sergio Bologna and others, workerism, or 'orperaismo', includes the refusal of work, class self-organisation, mass illegality and the extension of revolutionary agency, all of which are still practised today by workers across the world. This edition includes a new chapter looking at the debates around operaismo and Autonomia since the book originally appeared in 2002.
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The book rethinks key categories of Marx's work beyond any philosophy of history, showing how the plurality of temporal layers that are combined and come into conflict in the violently unifying historical dimension of modernity are central to Marx's thought.
A wide ranging and deeply engaged examination of the role slaves and unfree workers play in the global capitalist economy.
In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of the Italian workerists during the 1960s and 1970s, as they sought to organise amongst new subjectivities of mass rebellion.
This book collects the contributions presented at the international congress held at the University of Bologna in January 2007, where leading scholars of different persuasions and interests offered an up-to-date overview of the current status of the research on linguistic universals. The papers that make up the volume deal with both theoretical and empirical issues, and range over various domains, covering not only morphology and syntax, which were the major focus of Greenberg’s seminal work, but also phonology and semantics, as well as diachrony and second language acquisition. Diverse perspectives illustrate and discuss a huge number of phenomena from a wide variety of languages, not onl...
The essays in this collection address specific themes in Volume I of Marx's Capital . Although the essays can be read independently, they present complementary perspectives on issues at the cutting edge of recent scholarship on Marx's work. Although all Parts of Capital I are discussed, the book is not intended to be a textbook. It will be read by specialists in the field as well as graduate students in the history of economic thought, political economy and philosophy.
The philosopher Antonio Negri was one of the preeminent thinkers of our time: his writings on class, socialism, and empire have had an enormous influence on contemporary political theory. His political activism and outspoken advocacy for the downtrodden also placed him at the centre of some of the most dramatic developments in recent Italian history. Story of a Communist—the first volume of Negri’s three-part autobiography—gives a fascinating account of his intellectual development and of the price he paid for living out his ideals. Negri paints a vivid portrait of the ferment in which some of his most important arguments and ideas took shape, and he provides crucial context for an und...
This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.