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What is form? Why does form matter? In this imaginative and ambitious study, Angela Leighton assesses not only the legacy of Victorian aestheticism, and its richly resourceful keyword, 'form', but also the very nature of the literary. She shows how writers, for two centuries and more, have returned to the idea of form as something which contains the secret of art itself. She tracks the development of the word from the Romantics to contemporary poets, and offers close readings of, among others, Tennyson, Pater, Woolf, Yeats, Stevens, and Plath, to show how form has provided the single most important way of accounting for the movements of literary language itself. She investigates, for instance, the old debate of form and content, of form as music or sound-shape, as the ghostly dynamic and dynamics of a text, as well as its long association with the aestheticist principle of being 'for nothing'. In a wide-ranging and inventive argument, she suggests that form is the key to the pleasure of the literary text, and that that pleasure is part of what literary criticism itself needs to answer and convey.
He explores each kind of linking, with attention paid to the popular topographical sequence (a subsequence to the philosophical) and emphasis on the lyric, as the most historically important.
You are invited to join a fascinating journey of discovery, as Marcia Birken and Anne C. Coon explore the intersecting patterns of mathematics and poetry — bringing the two fields together in a new way. Setting the tone with humor and illustrating each chapter with countless examples, Birken and Coon begin with patterns we can see, hear, and feel and then move to more complex patterns. Number systems and nursery rhymes lead to the Golden Mean and sestinas. Simple patterns of shape introduce tessellations and concrete poetry. Fractal geometry makes fractal poetry possible. Ultimately, patterns for the mind lead to questions: How do mathematicians and poets conceive of proof, paradox, and in...
This collection of classic and contemporary poems also includes exercises, chapter summaries, games, diagrams, illustrations, and 4-colour reproductions of great works of art. This edition incorporates many new poets and expanded coverage of women and ethnic poets.
Dalton was one of the most influential poets and political writers in Latin America. In this book, written just before his assassination, he invents five poets who express their different concerns about the oppressive situation in El Salvador.
An Introduction to Operator Algebras is a concise text/reference that focuses on the fundamental results in operator algebras. Results discussed include Gelfand's representation of commutative C*-algebras, the GNS construction, the spectral theorem, polar decomposition, von Neumann's double commutant theorem, Kaplansky's density theorem, the (continuous, Borel, and L8) functional calculus for normal operators, and type decomposition for von Neumann algebras. Exercises are provided after each chapter.
Sharing a postrevolutionary sympathy with the struggles of the poor, the contributors to this first comprehensive collection of writing on subalternity in Latin America work to actively link politics, culture, and literature. Emerging from a decade of work and debates generated by a collective known as the Latin American Studies Group, the volume privileges the category of the subaltern over that of class, as contributors focus on the possibilities of investigating history from below. In addition to an overview by Ranajit Guha, essay topics include nineteenth-century hygiene in Latin American countries, Rigoberta Menchú after the Nobel, commentaries on Haitian and Argentinian issues, the re...