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Composing for the Cinema
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectur...
Conversas com sociólogos brasileiros
Dos estudos fundadores, preocupados com a questão da identidade nacional e com a sistematização da disciplina como ciência, até as tendências mais recentes de Sociologia brasileira, os depoimentos deste livro permitem acompanhar as trajetórias de 21 dos principais sociólogos de nosso país, como Florestan Fernandes, Octavio Ianni, Fernando Henrique Cardoso, Gabriel Cohn e José de Souza Martins, entre outros.
Film Music
(MGB). Comprehensive text on the history of film music, including in-depth chapters on Silent Cinema, Sound Cinema, Aesthetic Theories, Music and Animated Cinema, and much more.
Reflections on the Music of Ennio Morricone
Reflections on the Music of Ennio Morricone: Fame and Legacy provides new contextualized perspectives on Ennio Morricone’s position as a radical composer working at the cutting edge of music within the frame work of his cinematic compositions. The Italian composer has reached world fame as the creator of some 500 film scores and hundreds more arrangements for commercial recordings; however, Sciannameo argues that Morricone’s legacy must include his concert works, a catalogued list of more than 100 titles. By analyzing the composer’s formative years as a music practitioner and his transition into the world of composing for the screen, Franco Sciannameo reconsiders the best of Morricone’s popular compositions and reveals the challenging concert works which have been an intimate expression of Morricone’s lifelong creative season. Reflections on the Music of Ennio Morricone exploresMorricone’s legacy, its nature, and its eventual impact on posterity.
A Companion to Latin American Anthropology
Comprised of 24 newly commissioned chapters, this defining reference volume on Latin America introduces English-language readers to the debates, traditions, and sensibilities that have shaped the study of this diverse region. Contributors include some of the most prominent figures in Latin American and Latin Americanist anthropology Offers previously unpublished work from Latin America scholars that has been translated into English explicitly for this volume Includes overviews of national anthropologies in Mexico, Cuba, Peru, Argentina, Ecuador, Bolivia, Colombia, and Brazil, and is also topically focused on new research Draws on original ethnographic and archival research Highlights national and regional debates Provides a vivid sense of how anthropologists often combine intellectual and political work to address the pressing social and cultural issues of Latin America
Film Music in Concert
Explores film music's role in the concert repertoire, highlighting how the Boston Pops under John Williams pioneered its inclusion.
Mediterranean Mosaic
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Britten, Opera and Film
Investigates cinematic qualities in opera and reveals why Benjamin Britten's operas lend themselves to TV and film interpretations. Benjamin Britten's 1954 opera The Turn of the Screw, based on Henry James's ghost story, has been described by many critics and commentators as cinematic. Along with Peter Grimes, The Turn of the Screw is one of the most frequently televised or filmed of Britten's operas. Some of these productions have used location footage and/or studio work, and others are based on theatrical settings. This book explores the notion of cinematic opera in the context of The Turn of the Screw and filmed opera in general, and questions what inherent cinematic qualities exist in th...
Ennio Morricone's The Good, the Bad and the Ugly
Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplish...
