Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Serial Drawing
Serial Drawing offers a timely and rigorous exploration of a relatively little-researched art form. Serial drawings – artworks that are presented as singular works but are made up of distributed parts – are studied in fresh, contemporary terms with a novel philosophical approach, emphasizing both the way in which this unique form of visual art exists in the world, and how it is encountered by the beholder. Inspired by the quadruple framework of Graham Harman's object-oriented ontology, Joe Graham explores a variety of serial drawings according to the idea that, in being serially arrayed, such artworks constitute a rather particular form of art object: one which is both unified yet plural...
Serial Images
This book argues that in the works of Degas, Mondrian, Bacon, Schiele and Warhol, serial iteration articulates a process of free, constructive becoming which they interpret in different ways. Not only does the serially iterative structure of the images show that activity and novelty are primary concerns, but it involves the viewer in the activity presented in the images. For these reasons, serial iteration is fundamentally connected both to modernist aspects of the work and to other concerns such as the structure of subjectivity and the movement of history. Serially iterative structure opens up the meaning of these five artists images by relating them to concerns in contemporary art and thought.
Serial Drawing
Introduction -- 1. Serial Drawing as Objects -- 2. Seriality -- 3. Temporality -- 4. Pictoriality -- Conclusion.
Serial Artist
A fine arts gallery painter has claimed the subjects of his paintings are his murder victims, that all the clues necessary to solve his crimes are hidden in his work and he has challenged the world to catch him. Overnight he has caused a worldwide sensation that vastly polarizes the populace between his devoted supporters and his vehement critics, all filtered through the skewed lens of media info-tainment, and one that those who walk the shadowy halls of power cannot long ignore. But the Serial Artist is hiding dangerous secrets, many he can barely admit even to himself. Serial Artist is a dark mirror held up to the face of American culture, and when you gaze into the Abyss, the Serial Artist also gazes into you."
Infinite Possibilities
Infinite Possibilities offers new perspectives on the phenomenon of seriality in the medium of drawings and the visual arts. It includes drawings from the 1960s to the present by 29 artists from Japan, South America, the United States, and Europe. Whether looking at serial images in historical, political, mathematical, philosophical, or theoretical perspectives, Infinite Possibilities is a remarkable discourse on a fundamental aspect of contemporary artistic creativity. The artists included range from the emerging to the canonical; among them are Jennifer Bartlett, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Gloria Ortiz-Hernandez, Richard Serra, and Tony Smith.
Serial Music, Serial Aesthetics
Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory.
One of a Kind
None
The Serial Attitude
Published to coincide with the exhibition of the same name at Eykyn Maclean, New York, 3 November - 16 December 2016
In Numbers
Edited by Andrew Roth, Philip Aarons. Text by Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson.
Women Framing Hair
This book explores the complex and enigmatic motif of hair in the work of five contemporary women artists, Chrystl Rijkeboer, Alice Maher, Annegret Soltau, Kathy Prendergast and Ellen Gallagher, from the late 1970s to the present. It investigates why hair is such a productive and resonant site of meaning, how it is suggestive of, and responds to, serial strategies, and why it appears to be of particular significance to women who are artists. It explores the implications of hair as an embodied material, its role as a haptic metaphor of the life cycle, and what might be seen as a darker, more liminal side of hair as a site of excess and body waste, and its ability to represent trauma and ‘wounding’. It also discusses some of the divergent histories of hair as a rich marker of identity in cultural discourses of beauty, myth and femininity, and as a symbol of status and power. Informed by a range of theoretical approaches, this book draws on Julia Kristeva’s theorizations of the abject, Hélène Cixous’s notion of écriture feminine, and a Deleuzian consideration of difference.
