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Opposites in almost every way, mortally suspicious of each other at first, Lyndon Baines Johnson and Martin Luther King, Jr., were thrust together in the aftermath of John F. Kennedy's assassination. Both men sensed a historic opportunity and began a delicate dance of accommodation that moved them, and the entire nation, toward the historic Civil Rights Act of 1964 and the Voting Rights Act of 1965. Drawing on a wealth of newly available sources -- Johnson's taped telephone conversations, voluminous FBI wiretap logs, previously secret communications between the FBI and the president -- Nick Kotz gives us a dramatic narrative, rich in dialogue, that presents this momentous period with thrilli...
We Are Not Afraid is the story of the 1964 killing of James Chaney, Andrew Goodman, and Michael Schwerner in Philadelphia, Mississippi, at the hands of Ku Klux Klansmen and the local cops. Described as "one of the best books on the civil rights movement," the murders it describes inspired the acclaimed film, Mississippi Burning. The events surrounding this seminal event have re-entered public debate due to the recent conviction of manslaughter by Klansman and Imperial Wizard, Edgar Ray Killen, for his part in orchestrating the murders. As America struggles to honestly confront its history of racism, there has never been a more timely moment to reissue this fully updated edition of We Are Not Afraid. From the roles played by such figures as Martin Luther King, Jr. and Robert Kennedy to the remarkable courage of the Freedom Riders, this book relates the definitive story of a nation's ongoing battle for true democracy.
Finely written and meticulously documented, this book describes how--very early on--a small group of ordinary citizens began extraordinary efforts to demonstrate that the JFK assassination could not have happened the way the government said it did. In time, their efforts had an enormous impact on public opinion, but this account concentrates on the months before the controversy caught fire, when people with skeptical viewpoints still saw themselves as lone voices. Material seldom seen by the public includes a suppressed photograph of the grassy knoll, an unpublished 1964 interview with an eyewitness, the earliest mention of the "magic bullet," and an analysis of the commotion surrounding New Orleans district attorney Jim Garrison's charge that anti-Castro CIA operatives were involved.
Traces the monumental battle waged by civil rights organizations and by local people to establish basic human rights for all citizens of Mississippi
This aims to show how media critics and historians have written about history as portrayed in cinema and television by historical films and documentaries, focusing on what it means to "read" films historically and the colonial experience as shown in post-colonial film.
This book charts the changing complexion of American culture in one of the most culturally vibrant of twentieth-century decades. It provides a vivid account of the major cultural forms of 1960s America - music and performance; film and television; fiction and poetry; art and photography - as well as influential texts, trends and figures of the decade: from Norman Mailer to Susan Sontag; from Muhammad Ali's anti-war protests to Tom Lehrer's stand-up comedy; from Bob Dylan to Rachel Carson; and from Pop Art to photojournalism. A chapter on new social movements demonstrates that a current of conservatism runs through even the most revolutionary movements of the 1960s and the book as a whole looks to the West and especially to the South in the making of the sixties as myth and as history.
Volume 1 of Nothing but Love in God’s Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Music Restoration Project at Baylor University, brings this vivid, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luthe...
Drugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a &“war on drugs&” that is actually...
Analyzes the films and filmmaking career of director Hal Ashby, placing his work in the cultural context of filmmaking in the 1970s. Hal Ashby directed eleven feature films over the course of his career and was an important figure in the Hollywood Renaissance of the late 1960s and 1970s. Though he was a member of the same generation of filmmakers as Martin Scorsese, Francis Ford Coppola, and Robert Altman, Ashby has received comparatively little critical or scholarly validation for his work. Author Christopher Beach argues that despite his lower profile, Ashby was an exceptionally versatile and unusually creative director. Beach focuses primarily on Ashby's first seven films—The Landlord, ...
David Chalmers, the leading historian of the Ku Klux Klan, brings the story of America's oldest terrorist society up to date. Chalmers skillfully shows how Klan violence actually aided the civil rights movement of the 1960s and revolutionized the role of the national government in the protection of civil rights. He follows the forty-year struggle to punish Klan murderers through the courts of Alabama, Georgia, and the U.S. Supreme Court, and how Morris Dees and the Southern Poverty Law Center finally found a way to bring the Klan down.