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Zeromski's last novel tells the story of Cezary Baryka, a young Pole who finds himself in Baku, Azerbaijan, a predominantly Armenia city, as the Russian Revolution breaks out. He becomes embroiled in the chaos caused by the revolution, and barely escapes with his life. Then, he and his father set off on a horrendous journey west to reach Poland. His father dies en route, but Cezary makes it to the newly independent Poland. Here he struggles to find his place in the turmoil of the new country. Cezary sees the suffering of the poor and the working classes, yet his experiences in the newly formed Soviet Union make him deeply suspicious of socialist and communist solutions. Cezary is an outsider among both the gentry and the working classes, and he cannot find where he belongs. Furthermore, he has unsuccessful and tragic love relations. The novel ends when, despite his profound misgivings, he takes up political action on behalf of the poor.
Taking groups of students To The Auschwitz-Birkenau Memorial and Museum is a heavy responsibility, but it is a major contribution to citizenship if it fosters understanding of what Auschwitz stands for, particularly when the last survivors are at the end of their lives. it comes with certain risks, however. This pack is designed for teachers wishing to organise student visits to authentic places of remembrance, and For The guides, academics and others who work every day with young people at Auschwitz. There is nothing magical about visiting an authentic place of remembrance, and it calls for a carefully thought-out approach. To avoid the risk of inappropriate reactions or the failure to bene...
Includes 204 photos, plans and maps illustrating The Holocaust Arrested by the Gestapo in 1942 for involvement in the resistance, the author spent three years in Birkenau. Severyna Szmaglewska (1916-1992) began writing this book immediately after escaping from an evacuation transport in January 1945, and it is the first account of the Auschwitz-Birkenau camp and an eloquent and important analysis of the individual experience of modern war. It was ready for print before the end of 1945, after several months of feverish work. In February 1946 the International Tribunal in Nuremberg included it in the material making up the charges against the Nazi perpetrators, and called upon the author to gi...
This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement. Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), S.A. Mansbach shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of...
Sixteen-year-old Richard Pipes escaped from Nazi-occupied Warsaw with his family in October 1939. Their flight took them to the United States by way of Italy, and Pipes went on to earn a college degree, join the US Air Corps, serve as professor of Russian history at Harvard for nearly 40 years, and become adviser to President Reagan on Soviet and Eastern European affairs. Here, he remembers the events of his own remarkable life as well as the unfolding of some of the 20th century's most extraordinary political events. the conflicts inside the Reagan administration over American policies toward the USSR, Pipes offers observations as well as portraits of such cultural and political figures as Isaiah Berlin, Ronald Reagan and Alexander Haig. Perhaps most interesting of all, Pipes depicts his evolution as a historian and his understanding of how history is witnessed and how it is recorded.
Nearly 300 letters reveal Chopin as both man and artist and illuminate his fascinating world — Europe of the 1830s and 1840s. "Delightful gossip . . . merry rather than malicious . . . engagingly witty." — Books. Preface. Index.
Given in memory of Robert C. Runnels by Sandra Runnels.