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A groundbreaking collection of experimental short fiction by award-winning Syrian author and Booker International Prize for Arabic Fiction nominee Shahla Ujayli, A Bed for the King’s Daughter uses surrealism and irony to examine such themes as women’s agency, the decline of collective life and imagination under modernity, and the effects of social and political corruption on daily life. In “The Memoir of Cinderella’s Shoes,” Cinderella uses her famous glass slipper as a weapon in order to take justice into her own hands. In “Tell Me About Surrealism,” an art history professor’s writing assignment reveals the slipperiness of storytelling, and in “Merry Christmas,” the realities of apartheid interfere with one family’s celebration. Through twenty-two short stories, Ujayli animates—with brevity and inventiveness—themes relevant to both the particularities of life in the Arab world and life outside it.
SHORTLISTED FOR THE INTERNATIONAL PRIZE FOR ARABIC FICTION AN INTERGENERATIONAL TALE OF LIFE AND LOVE SEEN THROUGH THE EYES OF THREE WOMEN FROM RAQQA The western popular imagination about the now devastated city of Raqqa, Syria is filled with static and clichéd images of the Arab world. On the news, Raqqa looks like a dusty and abandoned desert village overrun by ISIS and other brands of Islamic fundamentalists, making its desperate, impoverished people yearn to flee at all costs. In the Arab popular imagination, the image of Raqqa is not much different--this ancient city, nestled along the Euphrates river in northeastern Syria, is typically thought of by Arabs as a remote Bedouin outpost, ...
This sweeping novel depicts the intertwined lives of an assortment of Egyptians--Muslims and Copts, northerners and southerners, men and women--as they begin to settle in Egypt's great second city, and explores how the Second World War, starting in supposedly faraway Europe, comes crashing down on them, affecting their lives in fateful ways. Central to the novel is the story of a striking friendship between Sheikh Magd al-Din, a devout Muslim with peasant roots in northern Egypt, and Dimyan, a Copt with roots in southern Egypt, in their journey of survival and self-discovery. Woven around this narrative are the stories of other characters, in the city, in the villages, or in the faraway dese...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Beautiful, twisted and brilliant - discover Yoko Ogawa. A lonely teenage girl falls in love with her foster-brother as she watches him leap from a high diving board into a pool - sparking an unspoken infatuation that draws out darker possibilities. A young woman records the daily moods of her pregnant sister in a diary, but rather than a story of growth the diary reveals a more sinister tale of greed and repulsion. Driven by nostalgia, a woman visits her old college dormitory on the outskirts of Tokyo. There she finds an isolated world shadowed by decay, haunted by absent students and the disturbing figure of the crippled caretaker.
Shortlisted for the International Prize for Arabic Fiction 2016. In the wake of resettlement from the desert to the hills overlooking Jerusalem, aging Bedouin patriarch Mannan wants his son Muhammad al-Asghar (the Youngest) to take on leadership and hold the clan together. But the youngest of eighteen sons is unable to follow in his father’s footsteps. Like others in the al-Abd al-Lat clan, he is torn between old customs and new choices. Muhammad al-Asghar is married—with affection and loyalty—to open-minded Sanaa, a childless divorcee. He works as a clerk in a sharia court, recording marriage contracts and divorce papers. But he wants to become a writer and gets drawn into stories: of...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
A multigenerational tale of love, loss, exile, and rebirth, shortlisted for the 2016 International Prize for Arabic Fiction. As children sleeping on the rooftop of their ancestral family home in Raqqa on warm summer nights, Joumane and her sisters imagine the sky is so close they can almost touch it. Years later, Joumane lives as an expatriate in Jordan, working for a humanitarian agency, while her sisters remain trapped in war-torn Syria. Living alone as she fights her own battle with cancer, she contemplates the closeness of the same sky, despite the sharply delineated borders that now separate her from her family. Her only close confidant is another exile, a charming, divorced Palestinian...
A young bride shuts herself up in a bedroom on her wedding day, refusing to get married. In this moving and humorous look at contemporary Israel and the chaotic ups and downs of love everywhere, her family gathers outside the locked door, not knowing what to do. The bride's mother has lost a younger daughter in unclear circumstances. Her grandmother is hard of hearing, yet seems to understand her better than anyone. A male cousin who likes to wear women’s clothes and jewelry clings to his grandmother like a little boy. The family tries an array of unusual tactics to ensure the wedding goes ahead, including calling in a psychologist specializing in brides who change their mind and a ladder ...