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Reverend Insanity 3 : The Demon Wreaks Chaos in the World
Volume 3 - The Demon Wreaks Chaos in the World "The human body is merely a sack of flesh, I was just changing the sack, what was the point of making such a fuss?" A story of a villain, Fang Yuan who was reborn 500 years into the past with the Spring Autumn Cicada he painstakingly refined. With his profound wisdom, battle and life experiences, he seeks to overcome his foes with skill and wit! Ruthless and amoral, he has no need to hold back as he pursues his ultimate goals. In a world of cruelty where one cultivates using Gu - magical creatures of the world - Fang Yuan must rise up above all with his own power. Humans are clever in tens of thousands of ways, Gu are the true refined essences of Heaven and Earth. The Three Temples are unrighteous, the demon is reborn. Former days are but an old dream, an identical name is made anew. A story of a time traveler who keeps on being reborn. A unique world that grows, cultivates, and uses Gu. The Spring and Autumn Cicada, the Venomous Moonlight Gu, the Wine Insect, All-Encompassing Golden Light Insect, Slender Black Hair Gu, Gu of Hope… And a great demon of the world that does exactly as his heart pleases!
Philanthropy in the World's Traditions
Though voluntary association for the public good is often thought of as a peculiarly Western, even Christian concept, this book demonstrates that there are rich traditions of philanthropy in cultures throughout the world. Essays study philanthropy in Buddhist, Islamic, Hindu, Jewish, and Native American religious traditions, as well as many other cultures.
Journal of the North China Branch of the Royal Asiatic Society
Contains list of members.
Shih-shuo Hsin-yü
A collection of anecdotes, conversations, and remarks concerning historic personalities of 150 to 420 A.D. China.
Possessing the Past
A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR
