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For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African origins to the 1940s reveals a culture that di...
“A well-told, stereotype-busting tale about a nineteenth century black financier who dared to be larger than life, and got away with it!” —Elizabeth Dowling Taylor, New York Times–bestselling author In the middle decades of the nineteenth century Jeremiah G. Hamilton was a well-known figure on Wall Street. Cornelius Vanderbilt, America’s first tycoon, came to respect, grudgingly, his one-time opponent. Their rivalry even made it into Vanderbilt’s obituary. What Vanderbilt’s obituary failed to mention, perhaps as contemporaries already knew it well, was that Hamilton was African American. Hamilton, although his origins were lowly, possibly slave, was reportedly the richest black...
Shane White creatively uses a remarkable array of primary sources--census data, tax lists, city directories, diaries, newspapers and magazines, and courtroom testimony--to reconstruct the content and context of the slave's world in New York and its environs during the revolutionary and early republic periods. White explores, among many things, the demography of slavery, the decline of the institution during and after the Revolution, racial attitudes, acculturation, and free blacks' "creative adaptation to an often hostile world."
The most ubiquitous feature of Harlem life between the world wars was the game of “numbers.” Thousands of wagers were placed daily. Playing the Numbers tells the story of this illegal form of gambling and the central role it played in the lives of African Americans who flooded into Harlem in the wake of World War I.
Allowing us to eavesdrop on the past, The Sounds of Slavery is a fascinating, innovative, and accessible account of the aural dimension of slavery. Through vivid anecdotes and firsthand accounts, White and White expand our historical ear from the 1700s through the 1850s, showing how profoundly slaves shaped the American soundscape. From the quotidian sounds of a plantation at dawn to the baying of hounds on the trail of runaways to whistling in Richmond, Virginia, in the 1850s, this book is the closest we' ll ever get to imagining and re-creating the diverse sounds of slavery. Enhancing the experience with an 18-track CD compilation-- with most of the tracks recorded in the 1930s-- White and White enable us to hear a complex history that for too long has been silent.
Slavery, capitalism, and colonialism were understood as racially justified through false olfactory perceptions of African bodies throughout the Atlantic World.
ONE IS his beloved. Leaving L.A.'s Parker Center, Shane Scully and his wife, Alexa, agree to meet at home...but Alexa never arrives. Then Shane's called to a crime scene on Mulholland Drive, where the victim, an apparent gang member, has been executed—and left in Alexa's car. Her gun is the likely murder weapon. THE OTHER Is his Nemesis. As Shane desperately tries to find Alexa, his leads point to a feud between two gangsta-rap record companies, both heavily manned by Crips and Bloods. At the center of this war is a ruthless, beautiful Lady Macbeth-like white woman raised in Compton. Married to a multi-millionaire rap mogul, she is known as the White Sister. It's his worst nightmare come true... Shane is no stranger to big trouble, but he's never before been smeared as a "racist cop" or thrown in jail while there's a hit out on him. Much worse is the unknown fate of Alexa, and the fact that in the mysterious White Sister—who holds the clue to a sinister conspiracy—he may have met his match.
A compelling examination of the ways enslaved women fought for their freedom during and after the Revolutionary War.
In pursuit of a more sophisticated and inclusive American history, the contributors to Beyond the Founders propose new directions for the study of the political history of the republic before the Civil War. In ways formal and informal, symbolic and tactile, this political world encompassed blacks, women, entrepreneurs, and Native Americans, as well as the Adamses, Jeffersons, and Jacksons, all struggling in their own ways to shape the new nation and express their ideas of American democracy. Taking inspiration from the new cultural and social histories, these political historians show that the early history of the United States was not just the product of a few "founding fathers," but was al...
SHAKESPEARE STUDIES is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its socio-political history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern literature. Volume XXXVIII features another in the journal'...