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It was a battle that would change the course of World War II... New York Times bestselling author Lauren Tarshis commemorates the Normandy landings in this pulse-pounding story of the largest seaborne invasion in history. Eleven-year-old Paul’s French village has been under Nazi control for years. His Jewish best friend has disappeared. Food is scarce. And there doesn’t seem to be anything Paul can do to make things better. Then Paul finds an American paratrooper in a tree near his home. The soldier says the Allies have a plan to crush the Nazis once and for all. But the soldier needs Paul’s help. This is Paul’s chance to make a difference. Soon he finds himself in the midst of the largest invasion in history. Can he do his part to turn horror into hope? New York Times bestselling author Lauren Tarshis tells the story of the battle that became the foundation for the Allied victory in World War II. Includes a section of nonfiction backmatter with more facts about the real-life event.
The New York Times bestselling first novel in the sensational Bone Season series, a heart-pounding epic fantasy by the author of The Priory of the Orange Tree. “Intelligent, inventive, dark, and engrossing.” NPR Welcome to Scion. No safer place. The year is 2059. For two centuries, the Republic of Scion has led an oppressive campaign against unnaturalness in Europe. In London, Paige Mahoney holds a high rank in the criminal underworld. The right hand of the ruthless White Binder, Paige is a dreamwalker, a rare and formidable kind of clairvoyant. Under Scion law, she commits treason simply by breathing. When Paige is arrested for murder, she meets the mysterious founders of Scion, who have designs on her uncommon abilities. If she is to survive and escape, Paige must use every skill at her disposal – and put her trust in someone who ought to be her enemy. With its intricate worldbuilding, slow burn romance, and “complex, ever evolving, scrappy yet touching” (NPR) heroine, the Bone Season series shows Samantha Shannon at the height of her considerable powers.
"If poetry is a place to question, I Am a Body of Land by Shannon Webb-Campbell is an attempt to explore a relationship to poetic responsibility and accountability, and frame poetry as a form of re-visioning. Here Webb-Campbell revisits the text of her earlier work Who Took My Sister? to examine her self, her place and her own poetic strategies. These poems are efforts to decolonize, unlearn, and undo harm. Reconsidering individual poems and letters, Webb-Campbell’s confessional writing circles back, and challenges what it means ask questions of her own settler-Indigenous identity, belonging, and attempts to cry out for community, and call in with love. Edited for the press, and with an introduction by Lee Maracle; includes an an afterword by the author."--
Expansive and enveloping, Webb-Campbell's collection asks, "Who am I in relation to the moon?" These poems explore the primordial connections between love, grief, and water, structured within the lunar calendar. The poetics follow rhythms of the body, the tides, the moon, and long, deep familial relationships that are both personal and ancestral. Originating from Webb-Campbell's deep grief of losing her mother, Lunar Tides charts the arc to finding her again in the waves. Written from a mixed Mi'kmaq/settler perspective, this work also explores the legacies of colonialism, kinship and Indigenous resurgence. Lunar Tides is the ocean floor and a moonlit night: full of possibility and fundamental connections.
Winner of the Atlantic Book Awards 2017 Margaret and John Savage First Book Award Winner of the East Coast Literary Awards 2017 Evelyn Richardson Non-Fiction Award Finalist for the 2017 Atlantic Book Award for Scholarly Writing Erin Wunker is a feminist killjoy, and she thinks you should be one, too. Following in the tradition of Sara Ahmed (the originator of the concept "feminist killjoy"), Wunker brings memoir, theory, literary criticism, pop culture, and feminist thinking together in this collection of essays that take up Ahmed's project as a multi-faceted lens through which to read the world from a feminist point of view. Neither totemic nor complete, the non-fiction essays that make up ...
This thesis is a collection of poetry. Still No Word seeks the appearance of the self in others and the recognition of others within the self. Patient, searching, questioning and at times heartbreaking - these poems reveal the deep past within the present tense and the interrelations that make our lives somehow both whole and unfinished. And though, the poems are political at times, this is not politics for the sake of politics: here, it's a matter of the human heart. Ranging from reflective to angry, from sensual to humorous, This poetry inhabits that mercurial space between the public and the private.
When asked the question "what is the power of poetry?," writer Ian Williams said "poetry punctures the surface." Williams' statement—that poetry matters and that it does something—is at the heart of this book. Building from this core idea that poetry perforates the everyday to give greater range to our lives and our thinking, the practical and pedagogical aim of this book is twofold: the first aim is to provide students with an introduction to the key cultural, political, and historical events that inform twentieth- and twenty-first-century Canadian poetry; and to familiarize those same readers with poetic movements, trends, and forms of the same time period. This book addresses the aest...
Praise for Cite: The Architecture and Design Review of Houston: "I find Cite to be thorough, imaginative, always stimulating, and responsive to the diversity of the Houston community. I hope to see it continue—I hope to see it flourish." —Larry McMurtry "Cite is one of the liveliest and most interesting journals on architecture and urbanism that is being produced today." —Robert Bruegmann, Professor and Chair, Art History Department and School of Architecture, University of Illinois at Chicago "Cite has become an important national publication, for it situates local and regional culture within the context of national and global issues. Thus it provides an antidote to provincialism, on ...