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Indo-Iranian Studies
Throughout his life the Shams-ul-Ullema devoted himself to advancing the Zoroastrian Faith, not only as a priest and teacher, but also as a writer. This volume of papers is authored by an international group of scholars and covers the history, philosophy, literature and language of Persia and the Indo-Iranians.
"The Wolf Era Ends, and The Sheep Era Starts”: Zoroastrian Apocalypticism in The Maʿnī-yi Vahman Yasht
This book studies, for the first time, the Maʿnī-yi Vahman Yasht , the New Persian version of the Zand ī Wahman Yašt , the most important Zoroastrian text in apocalyptic genre. Through offering a critical edition, translation, and commentary, Alimoradi argues that the MVY is not a translation of the extant Pahlavi ZWY and is derived from another recension of apocalyptic materials in Pahlavi. He also offers suggestions in identifying several unspecified characters and events referred to in the text whose identities have been debated for decades. The book is relevant to those interested in Zoroastrianism, Iranian apocalyptic traditions, and anyone studying the Arab conquests in Western and Central Asia in 6th to 9th c. CE.
The Persian Revival
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist archit...
The Death of Ahriman
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The Parsees in India
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Oriental Studies in Honour of Cursetji Erachji Pavry
Essays and researches on Oriental languages, literature, history, philosophy and art by seventy eminent scholars from seventeen different countries
