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2001 CHOICE Outstanding Academic Title Exploring Old English texts ranging from Beowulf to Ælfric's Lives of Saints, this book examines ways that women's monastic, material, and devotional practices in Anglo-Saxon England shaped literary representations of women and femininity. Horner argues that these representations derive from a "discourse" of female monastic enclosure, based on the increasingly strict rules of cloistered confinement that regulated the female religious body in the early Middle Ages. She shows that the female subjects of much Old English literature are enclosed by many layers—literal and figurative, textual, material, discursive, spatial—all of which image and reinforce the powerful institutions imposed by the Church on the female body. Though it has long been recognized that medieval religious women were enclosed, and that virginity was highly valued, this book is the first to consider the interrelationships of these two positions—that is, how the material practices of female monasticism inform the textual operations of Old English literature.
The Displacement of the Body in Ælfric's Virgin Martyr Lives addresses 10th-century Old English hagiographical translations, from Latin source material, by the abbot and grammarian Ælfric. The vitae of Agnes, Agatha, Lucy, and Eugenia, and the married saints Daria, Basilissa, and Cecilia, included in Ælfric's s Old English Lives of Saints, recount the lives, persecution, and martyrdom of young women who renounce sex and, in the first four stories, marriage, to devote their lives to Christian service. They purport to be about the primacy of virginity and the role of the body in attaining sanctity. However, a comparison of the Latin sources with Ælfric's versions suggests that his translat...
Medievalists have much to gain from a thoroughgoing contemplation of place. If landscapes are windows onto human activity, they connect us with medieval people, enabling us to ask questions about their senses of space and place. In A Place to Believe In Clare Lees and Gillian Overing bring together scholars of medieval literature, archaeology, history, religion, art history, and environmental studies to explore the idea of place in medieval religious culture. The essays in A Place to Believe In reveal places real and imagined, ancient and modern: Anglo-Saxon Northumbria (home of Whitby and Bede&’s monastery of Jarrow), Cistercian monasteries of late medieval Britain, pilgrimages of mind an...
Frontcover -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Words and Other Fragments -- 1 Speaking Up and Shutting Up: Expression and Suppression in the Old English Mary of Egypt and Ancrene Wisse -- 2 What Comes Unnaturally: Unspeakable Acts -- 3 Crying Wolf: Gender and Exile in Bisclavret and Wulf and Eadwacer -- 4 Taking the Words Out of Her Mouth: Glossing Glossectomy in Tales of Philomela -- Conclusion: After Words -- Bibliography -- Index
An investigation into texts specifically addressed to women sheds new light on female literary cultures.From the tenth to the twelfth centuries in England and Scotland we have scant evidence of women's writing. How, then, can we access these women's experiences? This book argues that by analysing texts deliberately written for and addressed directly to women we gain an insight into the horizons of possibility for their lives. It examines religious texts addressed to women, bringing together works that are more widely studied with others that are less well known, and demonstrates continuities across Old English and Latin texts written for female readers and patrons across the Conquest period....
Recognizing the dramatic changes in Old English studies over the past generation, this up-to-date anthology gathers twenty-one outstanding contemporary critical writings on the prose and poetry of Anglo-Saxon England, from approximately the seventh through eleventh centuries. The contributors focus on texts most commonly read in introductory Old English courses while also engaging with larger issues of Anglo-Saxon history, culture, and scholarship. Their approaches vary widely, encompassing disciplines from linguistics to psychoanalysis. In an appealing introduction to the book, R. M. Liuzza presents an overview of Old English studies, the history of the scholarship, and major critical themes in the field. For both newcomers and more advanced scholars of Old English, these essays will provoke discussion, answer questions, provide background, and inspire an appreciation for the complexity and energy of Anglo-Saxon studies.
Humour is rarely seen to raise its indecorous head in the surviving corpus of Old English literature, yet the value of reading that literature with an eye to humour proves considerable when the right questions are asked. Humour in Anglo-Saxon Literature provides the first book-length treatment of the subject. In all new essays, eight scholars employ different approaches to explore humor in such works as Beowulf and The Battle of Maldon, the riddles of the Exeter Book, and Old English saints' lives. An introductory essay provides a survey of the field, while individual essays push towards a distinctive theory of Anglo-Saxon humour. Through its unusual focus, this collection will provide an ap...
This interdisciplinary collection addresses the location of women and their bequests within the single most important public and social space in pre-Reformation Europe: the Roman Catholic Church. This innovative focus brings attention to gender and space as experienced in the medieval parish as well as in monastic and cathedral space. Through provocative handling of historical content and theory, the contributors explore strategies of exclusion and of inclusion and note patterns of later writers who neglect or rewrite records of female presence. Essays on the York religious cycle, the chronicle of the monastery at Ely, and The Book of Margery Kempe explore how medieval writers used texts as fictive spaces on which to graft responses to the gendered uses of real church buildings. These text-based essays are juxtaposed with tightly focused archival research in art history and history on Florentine patronage and English parish seating, as well as with more broadly synthetic studies on access of women to shrines and on gendered left-right placement in ritual art.
This volume brings together specialists from different areas of medieval literary study to focus on the role of habits of thought in shaping attitudes toward women during the Middle Ages. The essays range from Old English literature to the Spanish Inquisition and encompass such genres as romance, chronicles, hagiography, and legal documents.
The concept of the individual or the self, central in so many modern-day contexts, has not been investigated in depth in the Anglo-Saxon period. Focusing on Old English poetry, the author argues that a singular, Anglo-Saxon sense of self may be found by analyzing their surviving verse. The concept of the individual, with an identity outside of her community, is clearly evident during this period, and the widely accepted view that the individual as we understand it did not really exist until the Renaissance does not stand up to scrutiny.