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Loss, trauma, memory, and, above all, the ties of family and being Jewish are the elements that weave together this panoramic story. Come Back for Me travels through time and place only to bring us, ultimately, to the connections between generations. Artur Mandelkorn is a young Hungarian Holocaust survivor whose desperate quest to find his sister takes him to post-war Israel. Intersecting Artur's tale is that of Suzy Kohn, a Toronto teenager whose seemingly tranquil life is shattered when her uncle's sudden death tears her family apart. Their stories eventually come together in Israel following the Six-Day War, where love and understanding become the threads that bind the two narratives together. Like Sarah's Key, Come Back for Me deals evocatively with the scars left by tragedy and the possibilities for healing.
While panning for gold with his Pa, Jake adopts a pig that he names Dog.
Raised in a Ladino-speaking family of Bulgarian Jewish immigrants, Pinhas-Cohen fuses the ancient Sephardic chant of her childhood with the contemporary rhythm of Israeli life. This singular talent for bridging the ancient and the modern sets her apart from most other Hebrew poets of her generation. Secular in style and spirit, yet rooted in the life cycle of religious Judaism, Pinhas-Cohen’s poems portray everyday life in modern Israel through a sacred yet personal language. Awarded the coveted Prime Minister’s Prize for her poetry, Pinhas-Cohen is a poet whose verse in English translation is long overdue. This bilingual collection offers readers a careful selection of poems from each of her seven published volumes. Hart-Green has worked closely with the poet herself on these translations, several of which have appeared in journals such as the Jewish Quarterly and the Toronto Journal of Jewish Thought. Her lively translations display the dazzling breadth and depth of Pinhas-Cohen’s oeuvre, making Bridging the Divide not only the first but the definitive English-language edition of this vital Hebrew poet’s work.
Emil Fackenheim's Post-Holocaust Thought and Its Philosophical Sources engages with the philosophers who made the greatest impact on the thought of Emil Fackenheim.
Not a Simple Story presents the modern Hebrew writer Shmuel Yosef Agnon in a new light--as an artist cum thinker whose novels and short stories manifest a deep understanding of the social and political crisis at the heart of modern Jewish life. Based on a close reading of Agnon's seminal novel A Simple Story, the book argues that Agnon was essentially a Jewish nationalist and secular modernist whose critical portrait of modern Jewish life seeks not to demean Jews but to hold them to a higher standard. By demonstrating all that Jewish society lacks, Agnon implicitly shows what it needs for it to thrive--a return to such lost notions as Jewish self-respect, heroism, and romantic love. Sharon Green's scholarly critique of this modern Hebrew classic offers students of Jewish studies a unique opportunity to penetrate the literary enigma Agnon has represented for almost a century.
A pathbreaking social history that takes seriously the experiences of the countless everyday people who pursued recreational ballet, Ballet Class: An American History explores the growth of this now quintessential extracurricular activity as it became an integral part of American childhood across borders of gender, class, race, and sexuality.
Piano-prodigy Isabella, eleven, whose black father and white mother struggle to share custody, never feels whole, especially as racial tensions affect her school, her parents both become engaged, and she and her stepbrother are stopped by police.
Can the panthers survive without their mother?
On a hot, dusty day as Zeb is walking home from the general store, he wishes for a horse, but soon his one horse grows into a snorting, stamping herd.
A little girl has the job of cleaning her room which seems like an impossible task. After day dreaming and wishing she had a machine to do it for her, she gets started. With a little help from her mom, she keeps working until her room is sparkling, clean and bright. She discovers that if she just keeps going, no matter how hard it seems, she can be successful. Her mother is proud of her, and even more important, she is proud of herself. If you look closely, you can find a little mouse in each of the large illustrations. Everything that Doreen is talking about seeing in the pile can be found in the illustration, like a search game.