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The Smallest Objective
From the author of What Species of Creatures, Sharon Kirsch, comes The Smallest Objective, an intricate and melancholy personal memoir about a daughter's last days with her mother, the hidden recesses of family history, and the treasures that the past can bring in the face of a difficult present. Having moved her elderly mother into a care home, the author of The Smallest Objective must now empty the family home of half a century, discovering as she does so a series of small objects that unlock her family's past: a lantern slide, a faded recipe book, a postcard from Mexico, a nugget of fool's gold. With the object of saving off grief while attending to her mother's final days, Sharon embarks...
What Species of Creatures
The Europeans who colonized North America more than three centuries ago encountered fantastical creatures: flying squirrels, ruby-throated hummingbirds, the easily tamed beaver. Their literature of discovery - by turns comic, cruel, and adulatory - provides a revealing glimpse of the taxonomies they carried with them into their so-called New World. Sharon Kirsch weaves early settler accounts, fables, children's stories, natural histories and 21st century science in a quirky narrative that probes our complicated relationship with the other creatures that share the planet. Illustrated with twenty period drawings, and peppered with verbatim accounts by these early settlers, What Species of Creatures is a rich and satisfying stew of odd historical facts and figures.
Gertrude Stein and the Reinvention of Rhetoric
Gertrude Stein and the Reinvention of Rhetoric posits that Stein was not only an influential literary modernist, but also one of the twentieth century's preeminent rhetoricians.
Crises of the Sentence
There are few forms in which so much authority has been invested with so little reflection as the sentence. Though a fundamental unit of discourse, it has rarely been an explicit object of inquiry, often taking a back seat to concepts such as the word, trope, line, or stanza. To understand what is at stake in thinking—or not thinking—about the sentence, Jan Mieszkowski looks at the difficulties confronting nineteenth- and twentieth-century authors when they try to explain what a sentence is and what it can do. From Romantic debates about the power of the stand-alone sentence, to the realist obsession with precision and revision, to modernist experiments with ungovernable forms, Mieszkowski explores the hidden allegiances behind our ever-changing stylistic ideals. By showing how an investment in superior writing has always been an ethical and a political as well as an aesthetic commitment, Crises of the Sentence offers a new perspective on our love-hate relationship with this fundamental compositional category.
The Emperor's New Drugs
Everyone knows that antidepressant drugs are miracles of modern medicine. Professor Irving Kirsch knew this as well as anyone. But, as he discovered during his research, there is a problem with what everyone knows about antidepressant drugs. It isn't true. How did antidepressant drugs gain their reputation as a magic bullet for depression? And why has it taken so long for the story to become public? Answering these questions takes us to the point where the lines between clinical research and marketing disappear altogether. Using the Freedom of Information Act, Kirsch accessed clinical trials that were withheld, by drug companies, from the public and from the doctors who prescribe antidepress...
Words, Words, Words
Words, Words, Words is a wide–ranging collection of literary essays that astonish the reader with their candor, insight, and generosity. Many of them reveal the absurdity that so often underlies our most passionate thoughts, our most cherished moments, even our most disturbing fears and recognitions. They echo everywhere with a kind of cosmic laughter that never lets us forget we are constructs of our own capacity to see through language — that at a most fundamental level, what we think about our selves is inevitably an extension of what we learn in our reading of others. Here we also get to find out what Bowering most cherishes about writers and writing: who Al Purdy was; what David McF...
Writing Class
Since the mid 1980s, the Kootenay School of Writing, a writer-run center in Vancouver, has been the site of some of the most innovative poetry coming out of North America. Leaving behind conventional ideas about syntax and lyricism, the KSW poets have produced a body of work that is jarring, troubling, provocative, funny, and beautiful. In their introduction to this sampling from the work of fourteen writers, Andrew Klobucar and Michael Barnholden describe the historical and aesthetic environment which produced the Kootenay School of Writing, and in doing so demystify a poetry that many regard as "difficult." WRITING CLASS is a fascinating introduction to the most vital poetry being written today.
Is Superman Circumcised?
Superman is the original superhero, an American icon, and arguably the most famous character in the world--and he's Jewish! Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel, the son of immigrants from Eastern Europe, and Joe Shuster, an immigrant. They based their hero's origin story on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war. In the following decades, Superman's mostly Jewish writers, artists, and editors continued to borrow Jewish motifs for their stories, basing Krypton's past on Genesis and Exodus, its society on Jewish culture, the trial of Lex Luthor on Adolf Eichmann's, and a future holiday celebrating Superman on Passover. A fascinating journey through comic book lore, American history, and Jewish tradition, this book examines the entirety of Superman's career from 1938 to date, and is sure to give readers a newfound appreciation for the Mensch of Steel!
Frances Ellen Watkins Harper
A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers.
Propaganda and Rhetoric in Democracy
Edited by Gae Lyn Henderson and M. J. Braun, Propaganda and Rhetoric in Democracy: History, Theory, Analysis advances our understanding of propaganda and rhetoric.
