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John Granville is offered a fortune to find a lost gold mine, one that legend says is protected by more than secrecy—and nearly turns it down. But the search for his partner's stolen niece has stalled until one of their leads comes through. They willl need travel funds to find the child––and to buy her freedom. Saving a child's life is worth whatever danger they might face. And how much trouble can a lost mine really be? Granville and his partner find themselves targeted by murderous claim jumpers who want the mine—if it even exists—for their own greedy purposes. Meanwhile Granville’s engagement to Emily Turner is bringing her too much attention, of the lethal kind. Can their qui...
Private Investigator Barbara O’Grady hunts a killer in an investigation with roots deep in the past. What long-buried secrets will she uncover—and who will pay? P. I. Barbara O’Grady has a snarky sense of humor, an affinity for impossible cases, and a past she pretends doesn’t matter. When she takes on yet another cheating husband case, Barbara quickly finds herself tangled up in decades-old secrets. And chasing a killer. With a client she admires but can’t—quite—trust, and the murders piling up, nothing is making sense. Except Barbara’s uneasy feeling that she’s running out of time. As Barbara searches for answers buried deep in the past, the killer is searching for her…
Told from behind rock and roll's most notorious blue eyes, We've Got Tonight is the true story from one of rocks most notorious and sought after groupies. Most notable as the woman who was with legendary Who bassist, John Entwistle, when he died, Alycen Rowse has spent over three decades backstage seducing some of the world's most desirable rockers. From the bed of David Lee Roth in 1984, to the wildest years with rock gods Metallica, to the side of the stage during the infamous AC/DC death concert, all the way through to the new millennium and into that infamous Las Vegas bed, Alycen will tell it like it is and take you back to where it all really started...Salt Lake City. Lars Ulrich of Me...
When John Granville commits to finding young Rupert Weston, he and his fiancée Emily Turner face treachery on a scale they never imagined. Hired to find a remittance man who is suddenly heir to an Earldom, John Granville quickly learns the fellow hasn’t been seen in months. He can’t trust his client. He can’t trust the facts he’s been given. Digging deeper, Granville uncovers unsettling questions. Has the man taken his own life? Or is there something more sinister at play? And then the shooting starts. Racing to save Weston puts Granville’s honor and his very life at stake. Will he be in time? This is the third book in the John Granville & Emily Turner series, though they can be read in any order.
When P.I. Barbara O’Grady’s best friend Andrea is arrested for murder, Barbara takes on the case. Which goes against her better judgement, but what can she do? Andrea’s in trouble. Desperate to clear her friend, Barbara can't turn away from a 12 year-old boy’s cry for help. His father's suicide may have been murder—and he’s afraid the killer is coming back. Torn between her two clients, Barbara races the clock to save them both. With a little help from Nick, the sexy insurance salesman–or is he? Two very different cases begin to connect, and draw Barbara too close to a killer. Will she go too far this time?
When a young Englishman is arrested for fraud, John Granville takes the case as a favor to a friend. The resulting scramble to extricate his client involves Granville in a break-in and two murders, drawing him—and his fiancée Emily Turner—ever deeper into the murky side of the local business world. With their client panicking and the witnesses dying, can they solve this one before another body turns up? The Terminal City Murders is a tale of fraud and murder in early twentieth century Vancouver, written with an eye for historical detail and a dry humor.
An opulent, riveting, and suspenseful continuation of the thrilling historical novel The Midwife of Venice set in medieval Constantinople. AN OPULENT, CAPTIVATING, AND SUSPENSEFUL HISTORICAL NOVEL FROM THE AUTHOR OF THE THRILLING INTERNATIONAL BESTSELLER THE MIDWIFE OF VENICE The Imperial Harem, Constantinople, 1578. Hannah and Isaac Levi, Venetians in exile, have overcome unfathomable obstacles to begin life anew in the Ottoman Empire. He works in the growing silk trade, and she, the best midwife in the capital, tends to the hundreds of women in Sultan Murat III’s lively and infamous harem. One night, Hannah is unexpectedly summoned to the extravagant palace and confronted with Leah, a ...
Things are missing in Seashell Cove. What's a witch to do? It's a beautiful summer in Seashell Cove, and the tourists are out in force. So is a thief. Things have gone missing in town, the ghosts are upset, Rhiannon the cat is fighting with our local gnome… And there's a new witch in town, one who arrived without announcement and set up shop. Am I suspicious? You bet your centaur's butt I am. My name is Sarah Endora Braxton, and I'm a witch… All I want to do is hang out with my handsome D&D playing boyfriend and run my bookshop. But Rhiannon the cat tells me I need to get on the case... Before something worse happens. Read the latest installment in this rollicking new series of paranormal cozies for freaks and geeks. Find out why Kickstarter named it "a project we love."
If the social does not exist as a special domain but, in Bruno Latour’s words, as ‘a peculiar movement of re-association and reassembling’, what implications does this have for how ‘the cultural’ might best be conceived? What new ways of thinking the relations between culture, the economy and the social might be developed by pursuing such lines of inquiry? And what are the implications for the relations between culture and politics? Contributors draw on a range of theoretical perspectives, including those associated with Deleuze and Guattari, Foucault, Law and Haraway, in order to focus on the roles of different forms of expertise and knowledge in producing cultural assemblages. What expertise is necessary to produce indigenous citizens? How does craniometry assemble the head? What kinds of knowledge were required to create markets for life insurance? These and other questions are pursued in this collection through a challenging array of papers concerned with cultural assemblages as diverse as brands and populations, bottled water and mobile television.