Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Behind Bella
This book gives a behind-the-scenes look at the award-winning movie, Bella, with stories from both those who participated in its production and those in its audiences, who were impacted by its message.
We Got Him!
Presents a description by a lieutenant colonel in the 1st Battalion, 22nd infantry regiment of the strategies and resources used in the hunt for Saddam Hussein, which resulted in his capture in December of 2003 in Operation Red Dawn.
The Modern Cultural Myth of the Decline and Fall of the Roman Empire
This book investigates the ‘decline and fall’ of Rome as perceived and imagined in aspects of British and American culture and thought from the late nineteenth through the early twenty-first centuries. It explores the ways in which writers, filmmakers and the media have conceptualized this process and the parallels they have drawn, deliberately or unconsciously, to their contemporary world. Jonathan Theodore argues that the decline and fall of Rome is no straightforward historical fact, but a ‘myth’ in terms coined by Claude Lévi-Strauss, meaning not a ‘falsehood’ but a complex social and ideological construct. Instead, it represents the fears of European and American thinkers as they confront the perceived instability and pitfalls of the civilization to which they belonged. The material gathered in this book illustrates the value of this idea as a spatiotemporal concept, rather than a historical event – a narrative with its own unique moral purpose.
Masters of FX
It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's mo...
Translating Time
Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called “homogeneous, empty time” founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple “immiscible temporalities” that strain against the modern concept of homogeneous time. In this wide-ranging study...
Culture Conglomerates
Explains conglomeration and regulation in the film and television industries, covering its history as well as the contemporary scene. Useful as a supplement for a variety of media courses, this text includes synopses of key media regulations and policies, discussion questions, a glossary, and entertaining boxed features.
Comic Books Incorporated
Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.
