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Elizabeth Simpson Inchbald (1753–1821) was one of the leading literary figures of the late eighteenth century—an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London. Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London stage debut a year later, and her writing debut came in 1784 with the play The Mogul Tale; Or, The Des...
Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.
This novel intervenes in many of the literary and philosophical debates of the late eighteenth century and early nineteenth century, forging a connection between the eighteenth-century discourse of sentiment and the emergent nineteenth-century concept of the nation. Lady Morgan's Introductory Letters are included.
Loved by instructors for its visual and flexible way to build computer skills, the Illustrated Series is ideal for teaching Microsoft Office Excel 2010 to both computer rookies and hotshots. Each two-page spread focuses on a single skill, making information easy to follow and absorb. Large, full-color illustrations represent how the students' screen should look. Concise text introduces the basic principles of the lesson and integrates a case study for further application.
Stories of transgression–Gilgamesh, Prometheus, Oedipus, Eve—may be integral to every culture's narrative imaginings of its own origins, but such stories assumed different meanings with the burgeoning interest in modern histories of crime and punishment in the later decades of the seventeenth century. In Criminality and Narrative in Eighteenth-Century England, Hal Gladfelder shows how the trial report, providence book, criminal biography, and gallows speech came into new commercial prominence and brought into focus what was most disturbing, and most exciting, about contemporary experience. These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to...
Among the earliest novels written about children, for children, The History of Sandford and Merton was enormously popular for a century and a half after its first publication in 1783–9. The novel is Enlightenment for beginners, offering a course of education in class, race, and gender to its six year-old protagonists, the robust farm-boy Harry Sandford and Tommy Merton, the spoiled boy from the big house. Sandford and Merton offers entertaining and practical lessons in manners, masculinity, and class politics. This Broadview Edition includes the original illustrations, along with contemporary reviews and other material on childhood by John Locke, Thomas Day, Jean-Jacques Rousseau, and others.
This edition contains two of Frances Burney's comedies: The Witlings, (1778-80) which satirizes the bluestockings; and The Woman Hater (1800-02), which explores social pretension and gender conflict.
Romantic Antiquity examines how Romantic-period writers deploy Roman republican precedents to constitute their vision of fundamental aspects of literary and political modernity.
Women's everyday choices can engender revolutionary acts. This collection gathers essays that build upon this premise and examines the ways in which eighteenth-century women defied not only the restrictions their own culture sought to enforce, but also the restrictions our historical and literary understandings have created.
In this picaresque novel, Charlotte Clarke recalls her life as an actress, and in particular, the difficulties facing a woman trying to make her way in a man's world. The issues of women's writing, education, motherhood, sexuality, and cross-dressing all come under scrutiny.