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A relationship with a mysterious pop star turns a girl’s life upside down in “a great novel about first love . . . a very touching book” (Fresh Fiction). These are the things that I’ve always wanted: To get the top grades in my class. To make my grandmother proud. And most of all, proof that I could succeed where the rest of my family had not: a Stanford acceptance letter, early admission. My mother and my sister were obsessed with boys and love and sex. So obsessed that they lost sight of their futures, of what they wanted. And in the end, they lost everything. I’ll never let a boy distract me. I promised myself that. But that was before Tate. Before the biggest pop star on the planet took an interest in me. Before private planes and secret dates and lyrics meant for me alone. There’s so much I don’t know. Like why he left music. Where he goes when we’re not together. What dark past he’s hiding. But when we kiss, the future feels far away. And now . . . I’m not sure what I want. “Fun and enjoyable to read . . . Fans of musicians and YA contemporary romance will devour it like I did.” —Buried in a Bookshelf
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Progress reports to the Bay Area Rapid Transit District on BART construction.
In the 1960s, as illegal drug use grew from a fringe issue to a pervasive public concern, a new industry arose to treat the addiction epidemic. Over the next five decades, the industry's leaders promised to rehabilitate the casualties of the drug culture even as incarceration rates for drug-related offenses climbed. In this history of addiction treatment, Claire D. Clark traces the political shift from the radical communitarianism of the 1960s to the conservatism of the Reagan era, uncovering the forgotten origins of today's recovery movement. Based on extensive interviews with drug-rehabilitation professionals and archival research, The Recovery Revolution locates the history of treatment a...