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Everything Talks
Organized in six distinct sections, this debut collection still resonates with an overall cohesiveness. Its poems are original and contradictory--earthy, cryptic, and exquisite. They beautifully utilize the lilting phrase, are attuned to the day's inflections, and have a gentle ebb and flow, which is often echoed visually by the way the poems are laid out upon the page. The lyricism is neither fragile nor overly lavish and often a marvelous stanza is undercut. Sounds are deliberately thrown askew by a laconic expression or a surprisingly forthright final image. Experimental in form, this is poetry that rewards an immersed and slow read. Grounded in the west coast of Auckland and the locales of Karekare, the Manukau Harbor, and the Waitakere Ranges, the poems also reach from ancient Egypt and 15th-century France to 19th-century Tahiti and the United States in 1963. Touching on biography, archaeology, and even astronomy, this compendium proves that poetry can handle both global ideas and universal concerns.
Florilegium
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Forlorn Light
To write these poems, I select a paragraph from a Woolf novel-The Waves or Mrs. Dalloway-and only use the words from that paragraph to create a poem. I essentially write poems while doing a word search using Virginia Woolf as source material. I don't allow myself to repeat words, add words, or edit the language for tense or any other consideration. These poems are simultaneously defined by both Woolf's choices with language as well as my own. They feel like an homage to this writer I so admire as well as a way of authentically expressing my lived experience.
Virgil's Aeneid
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The Best of All Possible Worlds
John O'Loughlin's aphoristic philosophy e-book brings his element-based comprehensive exactitude to bear on morality, not just on one kind but on all the different kinds of morality, and shows that morality only exists because it is hegemonic over a correlative unmorality corresponding, in whatever class/element position, to the subordinate gender, but that such a hegemony dare not risk an immoral backlash from below on account of its own amoral failings - something which the author goes into in some detail with the help of analogous contexts and examples, whether sartorial, social, literary, or whatever. But John O'Loughlin, whilst he may be comprehensively exacting in his outlining of the different kinds of morality, is not impartial. On the contrary, he makes a case for only one type of morality (and its corresponding unmorality) - a case that, in his view, would result, if politically and religiously implemented, in the best of all possible worlds - the goal towards which his entire philosophy points.
I'm Working Here
Anna Mendelssohn (1948-2009) authored poetry, fiction, drama, and life writing; she was also a visual artist, musician, and translator. From the early 1980s, Mendelssohn composed 19 poetry collections and published in journals receptive to her experimental, charged lyrics, and retained a marginal, if constant, presence in the poetry community.
The Road North
the road north is a word-map of Scotland, composed by Alec Finlay & Ken Cockburn as they travel through their homeland, guided by the Japanese poet Basho, whose Osu-no-Hosomichi (Narrow Road to the Deep North) is one of the masterpieces of travel literature. Ken and Alec left Edo (Edinburgh) on May 16, 2010 - the very same date that Basho and his companion Sora departed in 1689 - and on their return, on May 16, 2011, they published 53 collaborative audio & visual poems describing the landscapes they had seen and the people they had met.
Everything Awake
Everything Awake was written during a dreamy, disorienting period of insomnia. In the middle of the night, I began studying Catullus, imagining that his hendecasyllabic rhythms might shush me to sleep. Instead, they prompted a series of eleven-line poems with eleven syllables per line. I was drawn to the number, via Catullus, because it felt both excessive and insufficient, just like the space of an insomniac's day. Eleven opened up onto an expanse in which I could think about dwelling, in a day, at the foot of a wind-swept mountain, in a family of humans, animals and plants, all of whom needed my care. Like Catullus's neoteric poems, these poems attempt to bring the private, domestic space ...
The Red and Yellow Book
The Red and Yellow Book was published by Textures in 1986, the imprint of Penny Bailey. My recollection is that little from the book had been published elsewhere previously. This was partly because it was written and published very quickly. Its writing was accelerated by the personal events which at first appeared to interrupt my initial ideas about what I thought I was doing. The interruption became the real subject in various guises and my first introduction to such parabasis. The Red and Yellow Book was my second book to be published but in one sense it was the first. It was the first I wrote as a book rather than as a collection of poems. --Kelvin Corcoran
Little White Bull
Little White Bull takes a fresh look at the times before the day before yesterday, not the end times but the new beginnings, and tries to show how British fiction grappled with subjects as thorny and diverse as the impact of mass immigration and a new kind of rootless working-class character uncontained by previous conceptions of him or herself, and apparently ready to go to war over them. This exciting and readable book presents the fifties and sixties as a crucible of new departures, asking what remains and continues from those decades into the cultural present. It takes the form of a series of thematic essays each of which discusses the work of an individual or group of novelists. Writers examined in this book are Paul Ableman, Brian Aldiss, Kingsley Amis, J.G. Ballard, Lynn Reid Banks, John Berger, John Braine, Angela Carter, Nell Dunn, Gillian Freeman, Barry Hines, B.S. Johnson, Doris Lessing, Colin Macinnes, Michael Moorcock, Iris Murdoch, V.S. Naipaul, Bill Naughton, Edna O'Brien, Harold Pinter, Samuel Selvon, Alan Sillitoe, David Storey, Jack Trevor Story, Leslie Thomas, Alexander Trocchi, John Wain, Keith Waterhouse, Raymond Williams and Colin Wilson.
