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This remarkable new book, the first of its kind, is an analysis of a phenomenon that biblical scholars have scarcely taken notice of, much less studied critically-the use of the Bible in advertising. Focussing on the figure of Eve, Admen and Eve shows how she has become the ultimate postfeminist icon of female sexual and consumer power, promoting self-regarding individual choice over collective political action for today's 'I'm not a feminist but ...' generation. Contemporary advertising, Edwards shows, deploys a collage of images simultaneously reflecting and dictating the ideals and ideologies that inform much of Western culture. Exploiting the cultural mythology that surrounds Eve, advert...
Reworking the Bible is a substantial account of the reception history of fourteen biblical stories-those of Eden, the Flood, Jacob and Esau, Moses and the Exodus, Joshua and Rahab, Samson, Nebuchadnezzar, Susanna, Esther, Jesus Christ, Salome, Lazarus, the Prodigal Son and the Descent into Hell. Full of fascinating detail of the afterlives of these biblical narratives, the book also offers a sophisticated theoretical analysis of the processes of reworking: major hypertexts from The Dream of the Rood to Margaret Atwood's The Year of the Flood come under the spotlight of the theories of Genette about rewriting and of Bakhtin about chronotopes and polyphony. In the final chapter, the material i...
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The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)? In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically...
Written by a scholar of rhetoric, Persuading God demonstrates that the first-person psalms that make up over a third of the Book of Psalms were designed not simply to express the feelings of individual Israelites but to persuade God to act. The book casts a new light on the roles of all the players in the situations in which the psalms were composed and performed: the person represented by the speaker on whose particular troubles the psalm is based, the spectators and opponents who are sometimes addressed directly by the speaker, the poet-musicians who craft the speaker's case and occasionally undermine it, and, most of all, God as the direct addressee whose presumed openness to persuasion a...
Feminist study of Pentateuchal narrative -- The matriarchs outside the priestly corpus -- Other women outside the priestly corpus -- Women in P's genesis -- Women in P's Exodus--Numbers.
Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.
In this work, Christina Harker deconstructs the prevailing treatment of the New Testament as anti-imperial by contextualizing both New Testament scholarship and the Galatian experience within imperialist discourses that survived the dissolution of conventional empires in the twentieth century. She critiques simplistic treatments of empire as post-imperial (that is, replicating patterns of imperialist ideology, albeit unwittingly). To solve the problem, a new interpretation of Galatians is proposed that reworks and complicates the portrait of the Galatians themselves, rather than Paul, within what then emerges as a diverse social world peopled by complex individuals with heterogeneous social and cultural identities. The author is thus able to show how New Testament scholars who rehabilitate the Bible and Paul as anti-empire perpetuate the same imperialist modes of interpretation they seek to repudiate.
Many are saying that the prevailing paradigm of New Testament origins is going nowhere. In its place, Brodie's stunning book invites us to suspend all 'knowledge' we already have about the history of the New Testament's development, and to be willing to entertain the following thesis. Everything hinges on Proto-Luke, a history of Jesus using the Elijah-Elisha narrative as its model, which survives in 10 chapters of Luke and 15 of Acts. Mark then uses Proto-Luke, transposing its Acts material back into the life of Jesus. Matthew deuteronomizes Mark, John improves on the discourses of Matthew. Luke-Acts spells out the story at length. Add the Pauline corpus, the descendant of Deuteronomy via the Matthean logia, and the New Testament is virtually complete. This is a totalizing theory, an explanation of everything, and its critics will be numerous. But even they will be hugely intrigued, and have to admit that Brodie's myriads of challenging observations about literary affinities demand an answer.