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E.J. Pratt
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The Canadian Short Story
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a ...
Dominant Impressions
Canadian critics and scholars, along with a growing number from around the world, have long recognized the achievements of Canadian short story writers. However, these critics have tended to view the Canadian short story as a historically recent phenomenon. This reappraisal corrects this mistaken view by exploring the literary and cultural antecedents of the Canadian short story. Published in English.
Museums and Their Communities
Using case studies drawn from all areas of museum studies, Museums and their Communities explores the museums as a site of representation, identity and memory, and considers how it can influence its community. Focusing on the museum as an institution, and its social and cultural setting, Sheila Watson examines how museums use their roles as informers and educators to empower, or to ignore, communities. Looking at the current debates about the role of the museum, she considers contested values in museum functions and examines provision, power, ownership, responsibility, and institutional issues. This book is of great relevance for all disciplines as it explores and questions the role of the museum in modern society.
National Museums and the Origins of Nations
National Museums and the Origins of Nations provides the first international survey of origins stories in national museums and examines the ways in which such museums use the distant past as a vehicle to reflect the concerns of the political present. Offering an international comparison of institutions in China, North and South America, the Middle East, Europe and Australia, the book argues that national museums tell us more about what sort of community a nation wishes to be today, than how and why that nation came into being. Watson also reveals the ways in which narrative and exhibition design attempt to engage the visitor in an emotional experience designed to promote loyalty to, and prid...
The Double Hook
In spare, allusive prose, Sheila Watson charts the destiny of a small, tightly knit community nestled in the BC Interior. Here, among the hills of Cariboo country, men and women are caught upon the double hook of existence, unaware that the flight from danger and the search for glory are both part of the same journey. In Watson’s compelling novel, cruelty and kindness, betrayal and faith shape a pattern of enduring significance.
Museum Revolutions
Capturing the richness of the museum studies discipline, Museum Revolutions is the ideal text for museum studies courses, providing a wide range of interlinked themes and the latest thought and research from experts in the field.
Always Someone to Kill the Doves
Crafted from archives, interviews, memories, and bankers’ boxes of papers sent to the author during the years before her death, Always Someone to Kill the Doves: A Life of Sheila Watson is the portrait of a woman shaped by her times, by her turbulent marriage, by the clarity of genius, and by the moral sense of her Catholic upbringing. With the gentle touch of an old friend, Flahiff provides a poignant insight into the woman, the westerner, and the writer. Best known for the modernist novel, The Double Hook, and her part in creating the literary magazine White Pelican, Watson’s life was as rich and complex as her finest literary creation.
Deep Hollow Creek
When Stella, fresh from her life in the city, arrives to take up her first teaching post in the one-room schoolhouse in a little frontier settlement in the British Columbia interior, she soon finds herself immersed in the stories she is told. Although an outsider in their midst, she sees that for those who dwell in this tiny community, life follows its destined course, amid conditions of extraordinary Depression-era hardship.
