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Before We Had Words
Words across a Ouija Board: Memory is the mother of the Muses, said the Greeks. What we write are shadows of recollections, fictions growing out of other fictions. But now these words grow out of memory failing, as where and when blanch slowly to perhaps. The two who sheltered from the sudden downpour, hugging close, or woke to each other in the dark, or quarreled hatefully–were they snatches of old stories, or were you once my wife? Death veils you in the features of passers-by, and age makes yellow secrets of our letters, until the past is unalloyed with circumstance, and becomes pure moments of unearned deserving.
Asparagus Feast
That Island
The Oxford Shakespeare: Much Ado About Nothing
Sparkling with the witty dialogue between Beatrice and Benedict, Much Ado About Nothing is one of Shakespeare's most enjoyable and theatrically successful comedies. This edition offers a newly edited text and an exceptionally helpful and critically aware introduction. Paying particular attention to analysis of the play's minor characters, Sheldon P. Zitner discusses Shakespeare's transformation of his source material. He rethinks the attitudes to gender relations that underlie the comedy and determine its view of marriage. Allowing for the play's openness to reinterpretation by successive generations of readers and performers, Zitner provides a socially analytic stage history, advancing new views for the actor as much as for the critic.
The Hunt on the Lagoon
Sheldon Zitner summed up his career in a seven-word poem: "Here lies, as usual, a Jew d'esprit." The genial wit of "Trial Epithet" informs the whole of this deeply moving collection by a poet and scholar whom A.F. Moritz describes as "a man of the world in the best sense." Whether he is celebrating life's infinite creativity, recognizing the joy imprisoned in a wheelchair-bound man, or affirming art's mission to outlast atrocity, Zitner unswervingly follows Rilke's injunction to join "work of the eyes" with "heart-work." In the collection's title poem, Zitner states that "we invent the world we love, /and like the painter's eyes, our own /persuade the hard discrete details /. . . to surrende...
Much Ado about Nothing
Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen.
Much Ado about Nothing
This book has long been celebrated as one of Shakespeare's popular comedies. It describes the central relationship, between Benedick and Beatrice, which is combative until love prevails.
The Knight of the Burning Pestle
This play is a celebration of London life and theatre in which Francis Beaumont's comic genius is given free rein. This edition presents an accurate modern-spelling text, with full historical and critical introduction and a detailed commentary. It also places "The Knight" in the contexts of Jacobean comedy and the work of the children's theatrical troupes. An appendix on the songs and a concern for details of production make this edition especially useful to actors and directors, as well as students of Renaissance drama.
Elizabethan Theater
Elizabethan Theater is a collection of essays offered in celebration of the long career of Samuel Schoenbaum. Throughout his career as biographer, bibliographer, historian, critic, and editor of scholarly journals, he has greatly enriched our appreciation of Shakespeare and his fellows. These essays celebrate the many ways in which he has enhanced our understanding through his skill in balancing historical contexts with a recognition and respect for the importance of individual authorship. Distinguished scholars from many countries, representing many points of view, have chosen to honor Schoenbaum by contributing essays that explore the four overlapping areas with which his own research has mainly been concerned: biographical scholarship, the concept of authorship, the hand of the author perceived within the play, and the multiple historical contexts that helped to determine how Elizabethan plays were written and received.
Shakespeare’s Auditory Worlds
Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare’s stages, Shakespeare’s Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a conc...
