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The contributors are highly productive and respected Jewish-American scholars, critics, and teachers from departments of English, history, American studies, Romance literature, Slavic studies, art, women's studies, comparative literature, anthropology, Judaic studies, and philosophy.
Focusing on the lives and careers of Walt Whitman, Mark Twain, Theodore Dreiser, Ernest Hemingway, and John Dos Passos, Fishkin offers the first full-length study to examine the tradition in American letters since the 1830s of great imaginative writers beginning their careers in journalism. Her probing examination of the poetry and fiction that followed the newspaper and magazine work of these writers reveals how each transformed fact into art and how journalismhas helped to give a distinctively American cast to American literature.
Published in 1884, Huck Finn has become one of the most widely taught novels in American curricula. But where did Huckleberry Finn come from, and what made it so distinctive? Shelley Fisher Fishkin suggests that in Huckleberry Finn, more than in any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art. In Was Huck Black?, Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American speech played in the genesis of Huckleberry Finn. ...
Fishkin "offers an intriguing look at how Mark Twain's life and work have been cherished, memorialized, exploited, and misunderstood."
A group of impoverished artists living in France stage the death of a friend to increase the value of his paintings and then must engage in cross-dressing, deception, and romantic intrigue in order to make their plot succeed.
Mark Twain (born Samuel Clemens), a former printer's apprentice, journalist, steamboat pilot, and miner, remains to this day one of the most enduring and beloved of America's great writers. Combining cultural criticism with historical scholarship, A Historical Guide to Mark Twain addresses a wide range of topics relevant to Twain's work, including religion, commerce, race, gender, social class, and imperialism. Like all of the Historical Guides to American Authors, this volume includes an introduction, a brief biography, a bibliographic essay, and an illustrated chronology of the author's life and times.
Mark Twain has been called the American Cervantes, our Homer, our Tolstoy, our Shakespeare. Ernest Hemingway maintained that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." President Franklin Delano Roosevelt took the phrase "New Deal" from A Connecticut Yankee in King Arthur's Court. Twain's Gilded Age gave an entire era its name. Twain is everywhere--in ads for Bass Ale, in episodes of "Star Trek," as a greeter in Nevada's Silver Legacy casino. Clearly, the reports of his death have been greatly exaggerated. In Lighting Out for the Territory, Twain scholar Shelley Fisher Fishkin blends personal narrative with reflections on history, literature, a...
"For those unaware—as I was until I read this book—that Mark Twain was one of America's early animal advocates, Shelley Fisher Fishkin's collection of his writings on animals will come as a revelation. Many of these pieces are as fresh and lively as when they were first written, and it's wonderful to have them gathered in one place." —Peter Singer, author of Animal Liberation and The Life You Can Save “A truly exhilarating work. Mark Twain's animal-friendly views would not be out of place today, and indeed, in certain respects, Twain is still ahead of us: claiming, correctly, that there are certain degraded practices that only humans inflict on one another and upon other animals. Fis...
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - My beautiful new watch had run eighteen months without losing or gaining, and without breaking any part of its machinery or stopping. I had come to believe it infallible in its judgments about the time of day, and to consider its constitution and its anatomy imperishable. But at last, one night, I let it run down. I grieved about it as if it were a recognized messenger and forerunner of calamity. But by and by I cheered up, set the watch by guess, and com...
Texts written by Southeast Asian migrants have often been read, taught, and studied under the label of multicultural literature. But what if the ideology of multiculturalism—with its emphasis on authenticity and identifiable cultural difference—is precisely what this literature resists? Transitive Cultures offers a new perspective on transpacific Anglophone literature, revealing how these chameleonic writers enact a variety of hybrid, transnational identities and intimacies. Examining literature from Malaysia, Singapore, and the Philippines, as well as from Southeast Asian migrants in Canada, Hawaii, and the U.S. mainland, this book considers how these authors use English strategically, as a means for building interethnic alliances and critiquing ruling power structures in both Southeast Asia and North America. Uncovering a wealth of texts from queer migrants, those who resist ethnic stereotypes, and those who feel few ties to their ostensible homelands, Transitive Cultures challenges conventional expectations regarding diaspora and minority writers.