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Tibetan Subjectivities on the Global Stage: Negotiating Dispossession explores the many ways Tibetans are reimagining their cultural identity since the communist takeover of Tibet in the 1950s. Focusing on developments taking place in Tibet and the diaspora, this collection of essays addresses a wide range of issues at the heart of Tibetan modernity. From the political dynamics of the exiled community in India to the production of contemporary Tibetan literature in the PRC, the collection delves into various aspects of current significance for the Tibetan community worldwide such as the construction of Bon identity in exile, the strategic use of the discourse of development or the issue of c...
The contributions in this volume analyze the cultural narratives of Tibetan exiles from the 1950s to the present.
With its analytic focus on the cultural production by Tibetans-in-exile, this volume examines contemporary Tibetan fiction, poetry, music, art, cinema, pamphlets, testimony, and memoir. The twelve case studies highlight the themes of Tibetans’ self-representation, politicized national consciousness, religious and cultural heritages, and resistance to the forces of colonization. This book demonstrates how Tibetan cultural narratives adjust to intercultural influences and ongoing social and political struggles in exile.
Buddhism and Comparative Constitutional Law offers the first comprehensive account of the entanglements of Buddhism and constitutional law in Sri Lanka, Myanmar, Thailand, Cambodia, Vietnam, Tibet, Bhutan, China, Mongolia, Korea, and Japan. Bringing together an interdisciplinary team of experts, the volume offers a complex portrait of “the Buddhist-constitutional complex,” demonstrating the intricate and powerful ways in which Buddhist and constitutional ideas merged, interacted and co-evolved. The authors also highlight the important ways in which Buddhist actors have (re)conceived Western liberal ideals such as constitutionalism, rule of law, and secularism. Available Open Access on Cambridge Core, this trans-disciplinary volume is written to be accessible to a non-specialist audience.
Through the eventful life of a Himalayan Buddhist teacher, Khunu Lama, this study reimagines cultural continuity beyond the binary of traditional and modern. In the early twentieth century, Khunu Lama journeyed across Tibet and India, meeting Buddhist masters while sometimes living, so his students say, on cold porridge and water. Yet this elusive wandering renunciant became a revered teacher of the Fourteenth Dalai Lama. At Khunu Lama’s death in 1977, he was mourned by Himalayan nuns, Tibetan lamas, and American meditators alike. The many surviving stories about him reveal significant dimensions of Tibetan Buddhism, shedding new light on questions of religious affect and memory that reima...
The Book is a window on Indian cultural diplomacy, which is set against the backdrop of its ethos of 'Vasudhaiva Kutumbakam' (The World is a Family). It is pivoted to the 'Idea of India' that gets manifested through acceptance of diversity and celebration of pluralism. The Book in 15 chapters under 8 sections provides a comprehensive picture on the concept of cultural diplomacy; its relationship with public diplomacy and soft power; its place in the diplomatic architecture and its growing centrality. Unlike soft power, cultural diplomacy is not in the paradigm of power. The Book also provides an in depth study on the origins and evolution of Indian cultural diplomacy over the years. It revie...
This book examines how territorial, civilisational and cultural location determines one’s gaze and attitude while representing a contested space like Tibet. It analyses representations of Tibet in three novels: James Hilton’s Lost Horizon (1933), Jamyang Norbu’s The Mandala of Sherlock Holmes (1999) and Kaushik Barua’s Windhorse (2013). It shows how these novels project different types of gaze — insider, outsider and insider-outsider — and explores them within the context of some contemporary Tibetan activist writers. The book also looks at Tibetan exilic writings and virtual activities of the Tibetan activists whose programmes and rhetoric counter the age-old image of the Tibeta...
The Penguin Book of Modern Tibetan Essays is a groundbreaking anthology of modern Tibetan non-fiction. This unprecedented collection celebrates the art of the modern Tibetan essay and comprises some of the best Tibetan writers working today in Tibetan, English and Chinese. There are essays on lost friends, stolen inheritances, prison notes and secret journeys from-and to-Tibet, but there are also essays on food, the Dalai Lama's Gar dancer, love letters, lotteries and the Prince of Tibet. The collection offers a profound commentary not just on the Tibetan nation and Tibetan exile, but also on the romance, comedy and tragedy of modern Tibetan life. For this anthology, editor and translator Tenzin Dickie has commissioned and collected 28 essays from 22 Tibetan writers, including Woeser, Jamyang Norbu, Tsering Wangmo Dhompa, Pema Bhum and Lhashamgyal. This book of personal essays by Tibetan writers is a landmark addition to contemporary Tibetan letters as well as a significant contribution to global literature.
A posthumous novel by Dr Tsewang Yishey Pemba, the founding father of Tibetan-English literature, White Crane, Lend me your Wings is a historical fiction set in the breathtakingly beautiful Nyarong Valley of the Kham province of Eastern Tibet in the first half of the twentieth century. Dr Pemba skillfully weaves a dazzling tapestry of individual lives and sweeping events creating an epic vision of a country and people during a time of tremendous upheaval. The novel begins with a never-told-before story of a failed Christian mission in Tibet and takes one into the heartland of Eastern Tibet by capturing the zeitgeist of the fierce warrior tribe of Khampas ruled by chieftains. This coming-of-a...
A comparative study of "inner" and "territorial" forms of literary exile under Nazism and Francoism, proposing an integrative model of exile that emphasizes common approaches and themes rather than division.