Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Good Echo
"Set in the 1930s, and spanning the globe, The Good Echo is the story of a marriage between controversial nutritionist and dentist Clifford Bell, and his quietly courageous wife Frances. After their young son dies from surgery Clifford performs, the two seek to escape their grief through unconventional means, traveling from Ohio to Sudan, to substantiate a theory of which Clifford's colleagues are skeptical. Narrated in turn by Frances and Clifford, and by the ghost of their son Benjamin, The Good Echo is composed of postcards and bedtime stories, folktales and family legends, travel and research notes."--Provided by publisher.
We Are a Teeming Wilderness
The stories in Shena McAuliffe's We Are a Teeming Wilderness are histories, prophecies, legends, science experiments, and undeniably works of art. McAuliffe transports readers effortlessly from past to present, lingering evocatively in the spaces between. Here the myth of Odysseus collides with the contemporary immigrant experience, the victim of a mugging processes the trauma through a sixteenth-century anatomical drawing, and a couple prepares both their relationship and an unlucky bird for burial via ancient Egyptian rites on their kitchen table. From hosiery salesmen to clairvoyants, these characters are seekers, scientists, and visionaries with skewed visions, who reveal the limitations of knowledge while also celebrating the optimism in seeking it.
Glass, Light, and Electricity
Fleet-footed and capricious, the essays in Glass, Light & Electricity wander through landscapes both familiar and unfamiliar, finding them equal parts magical and toxic. They explore and merge public and private history through lyric meditations that use research, association, and metaphor to examine subjects as diverse as neon signs, scalping, heartbreak, and seizures. The winner of the 2019 Permafrost Prize in nonfiction, Shena McAuliffe expands the creative possibilities of form.
This Is Only a Test
The Truman Capote Prize-winning author “provides an offbeat look at the fragility of human life and our resilience when faced with death” (Kirkus). On April 27, 2011, just days after learning of their pregnancy, B. J. Hollars, his wife, and their future son endured the onslaught of an EF-4 tornado. There, while huddled in a bathtub in their Alabama home, mortality flashed before their eyes. With the last of his computer battery, Hollars began recounting the experience, and would continue to do so in the following years, writing his way out of one disaster only to find himself caught up in another. In this collection of personal essays, Hollars faces tornadoes, drownings, and nuclear catastrophes. These experiences force him to acknowledge the inexplicable while he attempts to overcome his greatest fear—the impossibility of protecting his newborn son from the world’s cruelties. Through his and others’ stories, Hollars creates a constellation of grief, tapping into the rarely acknowledged intersection between fatherhood and fear, sacrifice and safety, and the humbling effect of losing control of our lives.
The Best American Essays 2020
Compiles the best literary essays of the year 2019 which were originally published in American periodicals.
Ordinary Masochisms
Ordinary Masochisms reveals how literary works from the nineteenth and twentieth centuries frequently challenged the prevailing view of masochism as a deviant behavior, an opinion supported by many sexologists and psychoanalysts in the 1800s. In these texts, Jennifer Mitchell highlights everyday examples of characters deriving pleasure from pain in encounters and emotions such as flirtations, courtships, betrothals, lesbian desires, religious zeal, marital relationships, and affairs. Mitchell begins by examining the archetypal tale of Samson and Delilah together with Venus in Furs by Leopold von Sacher-Masoch, from whom masochism gets its name. Through close readings, Mitchell then argues th...
The Wives of Los Alamos
Their average age was twenty-five. They came from Berkeley, Cambridge, Paris, London and Chicago - and arrived in New Mexico ready for adventure or at least resigned to it. But hope quickly turned to hardship in the desolate military town where everything was a secret, including what their husbands were doing at the lab. They lived in barely finished houses with a P.O. Box for an address, in a town wreathed with barbed wire, all for the benefit of 'the project' that didn't exist as far as the greater world was concerned. They were constrained by the words they couldn't say out loud, the letters they couldn't send home, the freedom they didn't have. Though they were strangers, they joined together - babies were born, friendships were forged, children grew up. But then 'the project' was unleashed and even bigger challenges faced the women of Los Alamos, as they struggled with the burden of their contribution towards the creation of the most destructive force in mankind's history - the atomic bomb. Contentious, gripping and intimate, The Wives of Los Alamos is a personal tale of one of the most momentous events in our history.
The Open Handbook of Linguistic Data Management
A guide to principles and methods for the management, archiving, sharing, and citing of linguistic research data, especially digital data. "Doing language science" depends on collecting, transcribing, annotating, analyzing, storing, and sharing linguistic research data. This volume offers a guide to linguistic data management, engaging with current trends toward the transformation of linguistics into a more data-driven and reproducible scientific endeavor. It offers both principles and methods, presenting the conceptual foundations of linguistic data management and a series of case studies, each of which demonstrates a concrete application of abstract principles in a current practice. In par...
Courteous exchanges
Courteous Exchanges explores the significant overlap between Edmund Spenser’s Faerie Queene and Shakespeare’s plays, showing how both facilitate the critique of Renaissance aristocratic identity. Moving from a consideration of Castiglione’s Book of the Courtier as a text that encouraged reader engagement, the book offers new readings of Shakespeare’s plays in conjunction with Spenser. It pairs Love’s Labour’s Lost, Much Ado About Nothing, The Merchant of Venice, and The Winter’s Tale with The Faerie Queene in order to explore how topics such as education, gender, religion, race, and aristocratic identity are offered up to reader and audience interpretation.
