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Popular Culture in the Age of White Flight
"In Popular Culture in the Age of White Flight, Eric Avila offers a unique argument about the restructuring of urban space in the two decades following World War II and the role played by new suburban spaces in dramatically transforming the political culture of the United States. Avila's work helps us see how and why the postwar suburb produced the political culture of 'balanced budget conservatism' that is now the dominant force in politics, how the eclipse of the New Deal since the 1970s represents not only a change of views but also an alteration of spaces."—George Lipsitz, author of The Possessive Investment in Whiteness
Human Gene Therapy
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Art and the City
"Art and the City" explores the contentious relationship between civic politics and visual culture in Los Angeles. Struggles between civic leaders and modernist artists to define civic identity and control public space highlight the significance of the arts as a site of political contest in the twentieth century.
Welcome to Painterland
The Rat Bastard ProtectiveÊAssociation was an inflammatory, close-knit community of artists who livedÊand worked in aÊbuilding they dubbed Painterland in the Fillmore neighborhood of midcentury San Francisco. The artists who counted themselves among the RatÊBastardsÑwhich included Joan Brown, Bruce Conner, Jay DeFeo,ÊWallyÊHedrick, Michael McClure, and Manuel NeriÑexhibited a unique fusion of radicalism,Êprovocation, and community. Geographically isolated from a viable art market and refusingÊto conform to institutional expectations, theyÊanimated broader social andÊartistic discussions through their work and became aÊtransformative part of American culture over time. Anastasia Aukeman presents new and little-known archival material in this authorized account of these artists and their circle, a colorful cultural milieu that intersected with the broader Beat scene.
Jon Lewis
Before the film, César Chavez, Chavez's life was depicted in photographs by his confidant, Jon Lewis. In the winter of 1966, twenty-eight-year-old ex-marine Jon Lewis visited Delano, California, the center of the California grape strike. He thought he might stay awhile, then resume studying photography at San Francisco State University. He stayed for two years, becoming the United Farm Workers Union’s semiofficial photographer and a close confidant of farmworker leader César Chávez. Surviving on a picket’s wage of five dollars a week, Lewis photographed twenty-four hours a day and created an insider’s view of the historic and sometimes violent confrontations, mass marches, fasts, pi...
Reclaiming the Americas
"Tatiana Reinoza examines how geography, immigration, and art all converged as deepening interests for Latinx graphic artists, specifically those working in different forms of printmaking. By highlighting the work of four artists, based out of four distinct studios in East LA, Tempe, Austin, and East Harlem, she is able to uncover how their work these past three decades has transcended the more defined lines of scholarship that focus on specific ethnic groups (Chicano, Puerto Rican, etc.). She makes a case for how spatial projects allow for a more collective critique of anti-immigrant discourse, visualize immigrant lives, and articulate the ways in which printmaking has been historically complicit in the colonizing of the Americas"--
Automotive Prosthetic
In the twenty-first century, we are continually confronted with the existential side of technology—the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity’s most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard P...
French Encounters with the American Counterculture 1960-1980
French-American interrelationships in the areas of design and creative thinking have been under-acknowledged. It is normally asserted that French architects looked to North America for technical lessons in the development of modern architecture in the 1960s but that the French cultural environment was generally hostile to American ideas. This book includes interviews with French architects who visited the United States in the 1960s-1970s and then assumed influential positions in the press and education in France. Some of these architects found in non-mainstream America and its radical groups of architectural drop-outs a liberating force, free of the taint of American capitalism and the high-...
Chalkboard Dust
Why a book on collectors, what they collect and why? Then again, why not a book about these interesting, somewhat quirky, but always fun and fascinating individuals who describe themselves as indefatigable collector. In these pages meet collectors of 3,500 toys, 6,000 license plates, 50,000 pencils, 100,000 beads, 500,000 postcards plus jukeboxes, branding irons, decks of cards, Blue Willow, swizzle sticks, even mice and old tins. And along the way discover the history of Juke Joints, Ribot cards, dippy eggs and soldiers, mocking kachinas, Doc Savage, a 1910 Reo, African trade beads, Cattail, graphite, the game of faro, and things called cumberlandite and maximartinezii, hear stories about a runaway quail, a mouse named Chester Thistlehorn, river lore, and so much more. For the seasoned collector, the beginner, or even those who don't give a hoot about someone else's stuff, WHATNOTS! will hold you captive from start to finish. But beware-without warning the collecting bug bites hard--you may be next! Plus an entire section on valuable resources for collectors, suggestions for getting started and ways to display those precious treasures!
