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Joseph Sheridan Le Fanu
This book considers the fiction of Joseph Sheridan Le Fanu (1814–73) in their original material and cultural contexts of the early-to-mid Victorian period in Ireland. Le Fanu’s longstanding relationship with the Dublin University Magazine, a popular literary and political journal, is a crucial context in the examination of his work. Likewise, Le Fanu’s fiction is considered as part of a wider surge of supernatural, historical and antiquarian activity by Irish Protestants in the period following the Act of Union between Great Britain and Ireland (1801). Le Fanu’s habit of writing and re-writing stories is discussed in detail, a practice that has engendered much confusion and consternation. Posthumous collections of Le Fanu’s work are compared with original publications, demonstrating the importance of these material and cultural contexts. This book reveals new critical readings of some of Le Fanu’s best known fiction, while also casting light on some of his regrettably overlooked work through recontextualisation.
Joseph Sheridan Le Fanu - Spalatro
Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to als...
SHERIDAN LE FANU - Ultimate Collection
This carefully crafted ebook: "SHERIDAN LE FANU - Ultimate Collection: 65+ Novels & Short Stories (Including Poetry Collections and Biography)" is formatted for your eReader with a functional and detailed table of contents: Novels & Novellas: Uncle Silas The Cock and Anchor The House by the Church-Yard Wylder's Hand Guy Deverell The Tenants of Malory Haunted Lives The Wyvern Mystery Checkmate Willing to Die The Haunted Baronet Spalatro Short Story Collections: In a Glass Darkly: Green Tea The Familiar Mr Justice Harbottle The Room in the Dragon Volant Carmilla The Purcell Papers: The Ghost and the Bone-Setter The Fortunes of Sir Robert Ardagh The Last Heir of Castle Connor The Drunkard's Dre...
Sheridan Le Fanu
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The Bird of Passage
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In a Glass Darkly
A collection of five stories by Sheridan Le Fanu, first published in 1872, the year before his death. The first three are short stories, and the fourth and fifth are long enough to be called novellas. Includes: Green Tea; The Familiar; Mr. Justice Harbottle; The Room in the Dragon Volant; and, Carmilla.
Joseph Sheridan Le Fanu - Guy Deverell - Volume I
Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to als...
Sheridan Le Fanu and Victorian Ireland
A fresh new reassessment of Joseph Sheridan Le Fanu (1814-73), one of the bestselling Irish novelists of the mid-Victorian period, who is recognized today for his ghost stories and tales of psychological terror, including In a Glass Darkly and The Wyvern Mystery."This excellent study...is far more than a revelation of Le Fanu, though this is incidentally provided in a discriminating and scholarly way...Dr. McCormack illuminates the more private and tortured universe of Le Fanu himself". -- Times Literary Supplement
