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An English edition of the thin textbook which teaches readers in an easy and simple way how to write classical Chinese poems for those who have interest in enjoying reading and/or writing classical Chinese poems but have difficulties to understand the explanation of the basic rules in Chinese.
This is an anthology of the most significant writing on the doctrinal, intellectual, and spiritual dimensions of Shicism. The works included here foster an interpretive understanding of Shicism in its dogmatic and cognitive aspects. The intent of this book is to balance the attention that has been focused on the political aspect of Shicism. Shicism is often seen, not only as an essentially political phenomenon, but as a creed of violence. Understanding Shicism in its total reality will encourage a more balanced approach to issues which are viewed mostly politically. While not denying the importance of political manifestations, this book offers an understanding of the often neglected religious beliefs and spiritual practices of this world community.
The book is a classic of wisdom compiled by Yu Lin, a scholar of the Ming Dynasty. It chooses famous characters and stories in Chinese history. The collection is as famous as Feng Menglong's The Think Tank. Because the stories collected are all ingenious schemes, it has been misunderstood as a bypass and imprisoned for a long time. In fact, this book provides us with a wealth of historical knowledge and profound strategies to govern the world. By drawing lessons from the wisdom of the ancients in life, such as prevention of danger, acting on camera, responding at random, changing dangers into barbarians, relieving hardships and so on, we can gain the truth and experience of life, so that the world can become wise, sober and open-minded. The book also chooses a large number of classical stories about self-cultivation, family unity, governing the country and peace of the world, especially elaborating on the strategy and experience of living in the world, which still has certain enlightening significance at present.
Su Shi (1037-1101) is the greatest poet of the Song Dynasty, a man whose writings and image defined some of the enduring central themes of the Chinese cultural tradition. Su Shi was not only the best poet of his time, he was also a government official, a major prose stylist, a noted calligrapher, an avid herbalist, a dabbler in alchemy, and a broadly learned scholar. The author shows how this complex personality was embodied in Su Shi's work and traces the evolution of his poems from juvenilia to the poems written in exile in Huangzhou, where Su settled on a farm at East Slope.
"This innovative textbook for learning classical Chinese poetry moves beyond the traditional anthology of poems translated into English and instead brings readers—including those with no knowledge of Chinese—as close as possible to the texture of the poems in their original language. The first two chapters introduce the features of classical Chinese that are important for poetry and then survey the formal and rhetorical conventions of classical poetry. The core chapters present the major poets and poems of the Chinese poetic tradition from earliest times to the lyrics of the Song Dynasty (960–1279). Each chapter begins with an overview of the historical context for the poetry of a part...
This book covers the techniques of data mining, knowledge discovery, genetic algorithms, neural networks, bootstrapping, machine learning, and Monte Carlo simulation. Computational finance, an exciting new cross-disciplinary research area, draws extensively on the tools and techniques of computer science, statistics, information systems, and financial economics. This book covers the techniques of data mining, knowledge discovery, genetic algorithms, neural networks, bootstrapping, machine learning, and Monte Carlo simulation. These methods are applied to a wide range of problems in finance, including risk management, asset allocation, style analysis, dynamic trading and hedging, forecasting, and option pricing. The book is based on the sixth annual international conference Computational Finance 1999, held at New York University's Stern School of Business.
"The intense piety of late T’ang essays on Buddhism by literati has helped earn the T’ang its title of the “golden age of Chinese Buddhism.” In contrast, the Sung is often seen as an age in which the literati distanced themselves from Buddhism. This study of Sung devotional texts shows, however, that many literati participated in intra-Buddhist debates. Others were drawn to Buddhism because of its power, which found expression and reinforcement in its ties with the state. For some, monasteries were extravagant houses of worship that reflected the corruption of the age; for others, the sacrifice and industry demanded by such projects were exemplars worthy of emulation. Finally, Buddhi...
Emphasizing reference works published since 1964, these volumes cover books, periodicals, and inclusions (i.e., chapters in edited volumes) on the 1911 Revolution, the Republic of China (1949--), post-1911 Taiwan, post-1911 Hong Kong and Macao, and post-1911 overseas Chinese.
For many years, the oral performing and dramatic literatures of China from 1200 to 1600 CE were considered some of the most difficult texts in the Chinese corpus. They included ballad medleys, comic farces, Yuan music dramas, Ming music dramas, and the novel Shuihu zhuan. The Japanese scholars who first dedicated themselves to study these works in the mid-twentieth century were considered daring. As late as 1981, no comprehensive dictionary or glossary for this literature existed in any language, Asian or Western. A Glossary of Words and Phrases fills this gap for Western readers, allowing even a relative novice who has resonable command of Chinese to read, translate, and appreciate this gre...
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.