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Iron Man
"Unleashed with the now legendary black and white cyberpunk masterpiece Tetsuo: The Iron Man, Shinya Tsukamoto is one of Japan's leading filmmakers. With visual assaults like Tetsuo II: The Body Hammer, Tokyo Fist and Bullet Ballet he gained a worldwide following and paved the way for the international breakthrough of Japanese cinema. Despite his fame he remains fiercely independent, financing, writing, shooting, directing and often also starring in his own films. Shinya Tsukamoto is literally uncompromising." "Fully authorised by the director and featuring first hand accounts from many of his close collaborators, Iron Man: The Cinema of Shinya Tsukamoto is a fascinating and in-depth look at the life and work of an intense, groundbreaking filmmaker who counts Quentin Tarantino, Tsui Hark, novelist William Gibson and The Matrix directors The Wachowski Brothers among his most loyal fans. Illustrated with hundreds of stills, behind-the-scenes pictures and rare photographs from Tsukamoto's private collection. Plus a complete filmography with cast and crew credits, and detailed information on DVD availability."--BOOK JACKET.
Shinya Tsukamoto
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Tetsuo
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Paradoxical Japaneseness
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
Directory of World Cinema: Japan 3
Like its predecessors, Directory of World Cinema: Japan 3 endeavours to move scholarly criticism of Japanese film out of the academy and into the hands of cinephiles the world over. This volume will be warmly welcomed by those with an interest in Japanese cinema that extends beyond its established names to equally remarkable filmmakers who have yet to receive such rigorous attention.
Shinya Tsukamoto
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CINEMA, THOUGHT, LIFE. Conversations with Fata Morgana
24 conversazioni apparse su Fata Morgana con grandi figure della contemporaneità, studiosi e artisti che parlano del cinema facendone un luogo del pensiero e una forma di vita. Un viaggio in cui il cinema e l’immagine, più di ogni altra forma d’arte, si riscoprono indissolubilmente legati alla complessità del nostro presente. Per la prima volta riunite e tradotte in inglese in un’unica pubblicazione, queste conversazioni offrono al lettore una costellazione unica di autori e temi per pensare il cinema a partire dal nostro presente e viceversa. 24 conversations originally published by Fata Morgana with important scholars and artists who have intended cinema as a place of thought and ...
Directory of World Cinema: Japan
From the revered classics of Akira Kurosawa to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. As the inaugural volume of an ambitious series from Intellect documenting world cinema, the directory aims to play a part in moving intelligent, scholarly criticism beyond the academy by building a forum for the study of film that relies on a disciplined theoretical base. It takes the form of an A–Z collection of reviews, longer essays and research resources, accompanied by fifty full-colour film stills highlighting significant films and players. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters take their place alongside the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
Walking Between Slums and Skyscrapers
The book is concerned with the effects of globalization on living space (i.e. the space of everyday life), focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the "global village" and "this is a small world." In each part of the book the author juxtaposes a "social" account of the city's urban space as it has been reshaped by the process of globalization with a "private" account of the urban landscape as experienced by its walkers (as represented in the films of Wong Kar-wai and Shinya Tsukamoto and the novels of Wang Anyi). Rather than rest here, the author wishes to show that for many of the inhabitants of the new global city, the "shrinking world" phenomenon is deeply literal: the "lived" space of everyday life is shrinking to make room for rezoning, construction of new infrastructures, space modification — all in the name of urban development.
Agitator
"[This work] examines all the director's ground-breaking films in-depth, revealing a provocative but remarkably consistent body of work"--Back cover.
