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Sisyphusina
Poetry. Women's Studies. Art. Music. SISYPHUSINA is a cross-genre collection of prose, poetry, visual art, and improvisatory music, centered on female aging. Faced with linguistic and literary traditions that lack rich vocabularies to describe female aging, Shira Dentz uses the hybrid form as an attempt to suture new language that reflects internal and physical processes that constitute a shifting identity. By deviating from formal classical construction, and using the recurring image of a rose, SISYPHUSINA circles around conventions of beauty, questioning traditional aesthetic values of continuity, coherence, and symmetry. Some of the book's images are drawn from separate multimedia collaborations between the author and composer Pauline Oliveros, artist Kathy High, and artist Kathline Carr. A musical composition improvised by Pauline Oliveros, based on one of her text scores, titled "Aging Music," is the book's coda, and readers can listen to it online by scanning a QR code inside the book. The interweaving of these collaborations with the author's voice and voices from other sources imbue this book with a porous texture, and reimagines the boundary of the book as a membrane.
Door of Thin Skins
A tale that unfolds in a psychotherapist's and a state prosecutor's office and the mind of the poet regarding it all
Black Seeds on a White Dish
Poetry. The poems in BLACK SEEDS ON A WHITE DISH spring from the search for what is generated and discovered when loss and desire occupy the same space. But lamentation is not the primary focus—by destabilizing everything in its reach, loss disables rigidity. These poems shift widely in form and tone, and seeds invoke the creative germ that spurs the metamorphoses occupying them: "Nothing to do but let the form of things take over." Shapes themselves, including punctuation, become a language throughout.
Embodied
Poetry isn't just the dusty classical poems we all studied in school. It's sexy, raw, political, edgy, and alive. The first of its kind, EMBODIED marries the unique aspects of poetry with those of sequential art in this contemporary graphic poetry. EMBODIED features new work on the theme of gender, identity, and the body from twenty-one of America's premier, award-winning cis female, trans, non-binary poets and adapts them into sequential art stories drawn, colored, and lettered by top cis female, trans, and non-binary artists. With strong BIPOC and LGBTQ+ representation, this anthology emphasizes inclusivity and the amplification of marginalized identities at a time when those identities are most under siege. A percentage of the proceeds will benefit International Women's Health Coalition.
How Do I Net Thee
how do i net thee asks Shira Dentz in her brilliant new book. Cast across the turbulent sea of language, these poems bring back to us a medley of phrases, voices that capture an ecstatic, coruscating world of trauma, loss & retrieval. Here is "the Book of Anger in the shape of a dog"; a vagina with "three white waterfalls"; "the heel of an echo" that soars "on falcon wings." Following in the footsteps of her great precursors, Virginia Woolf, Gertrude Stein, Adrienne Rich, Dentz's luminous poems reveal to us "a woman's secret language" from "a mouth inside herself" Read them! how do I net thee is a diagram of a voice drawn through lyric, visual, and prose poems threading schisms - within a family, within a society brutalized by racial tensions, and within the space crossed in the transition from fertility to its loss. Language whips around wildly but wisely in Shira Dentz's latest collection. Seamlessly blending the vernacular with the erudite, she echoes her dynamic phrasings with dynamic typography, and yet what accrues, above all, throughout the book is a sense of her profound engagement with the world. The book is aloft by principle, and alive with it. Book jacket.
The Sun a Blazing Zero
Poetry. THE SUN A BLAZING ZERO tracks the vibrations of a receding world that hasn't yet entirely vanished. Its language-map moves towards intensifying a lyric field to articulate experiences that lack vocabulary, and to ride with/not rebut the noise of information-overload in contemporary psyches. A feminist assemblage, THE SUN A BLAZING ZERO weaves the personal and sociopolitical through shifting shutter speeds.
Not a Chance
These haunting, intricately textured fictions are like individually wrapped dreams recording the struggle of contemporary consciousness for placement and connection.
Lovely Asunder
Danielle Cadena Deulen is a PhD candidate in English at the University of Utah. Her book of essays, The Riots , is the winner of the 2010 AWP Award Series in Creative Nonfiction and is published by the University of Georgia Press.
Women's Encounters with the Mental Health Establishment
Explore women’s first-person experiences with the mental health establishment! This unique contemporary anthology of women’s experiential writing shares women’s realities, perceptions, and experiences (positive and negative) within the therapeutic environment. These artistic expressions of personal experience will help women understand their own encounters in a new light. They are also instructive and enlightening for any practitioner working with women in a mental health setting. Charlotte Perkins Gilman’s famous short story (included here), The Yellow Wallpaper, which inspired this title, has come to represent the struggle of contemporary women to be understood by the therapeutic m...
Mead
The central subject in Julie Carr's debut poem collection is marriage. Intimacy is examined, not only in terms of the erotic, the quotidian, and the contractual, but also in terms of the intertextual: the pact between reader and writer and the blending of texts that results. Motherhood also figures as a kind of marriage-a bond that includes affective, legal, and sensual elements. Using a variety of poetic structures--prose poems, stanzaic forms, concrete poems, fractured lyrics, direct dialogue, and discursive modes--Carr simultaneously embraces and breaks from the expected and the known, revealing the precarious balance between our desire for narrative, sequence, drama, and resolution, on the one hand, and rupture, fragment, and fracturing, on the other.
