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"A fascinating account of the extraordinary life of W. E. B. Du Bois's widow: a complex, creative woman who lived a colorful, meaningful life." (Essence) "Horne is the first biographer to grant Shirley Graham Du Bois her due." (Boston Globe)
A selection of five plays by twentieth-century author and actress Alice Childress, including "Florence," "Gold through the Trees," "Trouble in Mind," "Wedding Band : A Love/Hate Story in Black and White," and "Wine in the Wilderness."
A biography of the actor and singer renowned all over the world for his interpretations of various operatic roles.
Using an interdisciplinary approach, this book argues that American artistry in the 1960s can be understood as one of the most vital and compelling interrogations of modernity. James C. Hall finds that the legacy of slavery and the resistance to it have by necessity made African Americans among the most incisive critics and celebrants of the Enlightenment inheritance. Focusing on the work of six individuals--Robert Hayden, William Demby, Paule Marshall, John Coltrane, Romare Bearden, and W.E.B. DuBois--Mercy, Mercy Me seeks to recover an American tradition of evaluating the "dialectic of the Enlightenment."
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In 1957 Ghana became one of the first sub-Saharan African nations to gain independence from colonial rule. Over the next decade, hundreds of African Americans--including Martin Luther King Jr., George Padmore, Malcolm X, Maya Angelou, Richard Wright, Pauli Murray, and Muhammad Ali--visited or settled in Ghana. Kevin K. Gaines explains what attracted these Americans to Ghana and how their new community was shaped by the convergence of the Cold War, the rise of the U.S. civil rights movement, and the decolonization of Africa. Kwame Nkrumah, Ghana's president, posed a direct challenge to U.S. hegemony by promoting a vision of African liberation, continental unity, and West Indian federation. Although the number of African American expatriates in Ghana was small, in espousing a transnational American citizenship defined by solidarities with African peoples, these activists along with their allies in the United States waged a fundamental, if largely forgotten, struggle over the meaning and content of the cornerstone of American citizenship--the right to vote--conferred on African Americans by civil rights reform legislation.
This work proposes a theological investigation of the community of the Church as outlined by liberation theology and a possible conversation with liberation from suffering in Tibetan Buddhism. What unites both is the human process of sublimation for others, whereby liberation theologians as well as enlightened lamas give the best of themselves for the liberation of others. At this stage of discussions between inclusivists and exclusivists this work proposes that dialogue with world religions and therefore with Buddhism is not about finding possible dogmatic similarities but a common place, a common purpose through a common humanity.
This is a remarkable book and Kwesi, my brother and dear friend, has done a wonderful job capturing the essence of our father, David Ghartey-Tagoe, who we also affectionately call "Mpaa". Kwesi demonstrates in this book that he knows Mpaa well. This is not surprising. After all, he is the first born, shares the same Christian name, lived with him longer than any of the other siblings, has followed a similar career path, and as he explains in the book, has many other things in common with Mpaa. In addition to providing insights into what it is like being the son of Mpaa, this book also reflects Kwesi's extensive research into Mpaa's life as a youth, family man, teacher, and broadcaster. Interestingly, it also provides a tutorial on various aspects of Efutu culture.