Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A Midsummer Night's Dream
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Seduction and Theory
Sexton, Anne; Dietrich, Marlene; Freud; Lacan.
The (M)other Tongue
This timely and provocative collection of sixteen essays combines feminist and psychoanalytic approaches to literary theory and to the reading of literary texts. It demonstrates not only the ways in which psychoanalytic theory can illuminate traditional literary texts, but also the ways in which feminist theory can modify, enlarge, and in some instances transform the body of psychoanalytic literature. Treating psychoanalysis as a form of narrative as well as a method of interpretation, the editors have divided their collection into three sections: 1) interpretations of the relation between contemporary feminism and Freud; 2) rereadings of classic patriarchal texts in the light of psychoanaly...
Writing Mothers and Daughters
This first systematic study of mother-daughter relationships as represented in Western European fiction during the second half of the 20th century provides a comparative study of works from England, France, Germany, Austria, Ireland, Italy, and Spain. For each individual body of texts, the authors identify characteristics arising from specific national literary traditions and from internal cultural diversities. The text suggests avenues for future investigation both within and across national boundaries. The featured writers include Steedman, Diski, Winterson, Tennant, de Beauvoir, Leduc, Djura, Wolf, Jelinek, Mitgutsch, Novak, Lavin, O'Brien, O'Faolin, Morante, Sanvitale, Ramondino, Chacel, Rodoreda, and Martin Gaite. The six contributing authors are scholars from New Zealand, England, Ireland, Italy and Wales. Annotation copyrighted by Book News, Inc., Portland, OR
Fantasies of Female Evil
Focuses on Romeo and Juliet, King Lear, Macbeth, Antony and Cleopatra, and The winter's tale. UkBU.
The Unspeakable Mother
Moving back and forth between experience and language, The Unspeakable Mother operates out of the intersection of two perspectives: women's immersion in the mother/daughter dyad and the paradoxical absence of the mother in the daughter's discourse. Deborah Kelly Kloepfer calls attention to the repeated allusions to dead mothers, dying mothers, mad mothers, stepmothers, abortions, stillbirths, miscarriages, and infant death in the novels of Jean Rhys and the poems and prose of H.D. Drawing on American and French feminist theory, she suggests that Rhys, H.D., and other modernist women writers, rather than just characterizing women's experience, are encoding the mother in relation to language. ...
Literature and the Writer
Literature and the Writer was first conceived with the hope the essays would shed light on several dimensions of the authorial craft. It was the hope of the editor that the selected essays would examine not only writers' choice of vocabulary, but also their deliberate selection of grammatical constructions and word order and their seamless weaving together of plots and imagery. Moreover, the analyses would also draw attention to how the writing process impacts the development of characters and the formulation of thematic strands in fiction. Thus, a wide variety of authors are deliberately selected to give the text depth: writers of popular fiction as well as modern classics are included, and...
Between Feminism and Psychoanalysis
In this landmark collection of original essays, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism, and explore the significance of its institutional context. They write against the received views on 'French feminism' and essentialism. A remarkable restatement of current positions within psychoanalysis and feminism, the volume as a whole will change the terms of existing debates, and make its arguments and concerns more generally accessible.
Disputed Subjects
Incorporating autobiography as well as reflections on relations between mothers and daughters, psychoanalysis, feminist theorizing, race, and modernist political theories and philosophies, renowned feminist theorist Jane Flax brings together eight of her most recent essays in Disputed Subjects. 'Indisputably required reading ... Lively, sophisticated, and challenging discussions at the crucial intersection of feminist, psychoanalytic, and political ideas. Jane Flax allows her own multiple and conflicting identities into open dialogue, and the result is a promontory on the postmodern landscape.' - Kenneth J. Gergen 'Jane Flax is one of the most challenging women writing today ... It is the well-informed voice of sanity, balance and courage.' - Phyllis Grosskurth 'Jane Flax's bold new book challenges orthodoxies in feminism, psychoanalysis, and postmodernism. By questioning the questions that have been taken to define these fields, she demonstrates once again the originality of her thinking.' - Alison M. Jaggar
Modern Drama and the Rhetoric of Theater
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
