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Birth and Birthgivers
This volume presents waried essays exploring women's voices, agencies and aesthetics in the traditional handling of chilbearing. Ayurveda as it comprehends reproduction, sohars (birth songs), birth narratives cord-cutters, dais' knowledge and compensation systems, as well as analyses of biomedical dominance and erasure of indigenous knowledge all provide a peek bechind the purdah in this critical reclamation of tradition.
THE MURAL PRACTICE OF KERALA AN OVERVIEW
This book The Mural Practice of Kerala : An overview provide genuine information on the extant Mural practice of Kerala and give a general idea about the Kerala art scenerio.
The One and the Many
DIVExamines questions of agency, artisanship, and identity in relation to collaborative art practice./div
Art and Globalization
The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susa...
Carving Devotion in the Jain Caves at Ellora
Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain activities at Ellora. It not only highlights the understudied Jain caves, but examines them in concert with Ellora's Hindu and Buddhist monuments.
Reading Śiva
An extensive, illustrated bibliography for the Hindu god Śiva in the arts of South and Southeast Asia, offering detailed indices and easy access to resource repositories.
Can Art History be Made Global?
The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Head and Heart
An extensive study of self-sacrificial images in Indian art, this book examines concepts such as head-offering, human sacrifice, blood, suicide, valour, self-immolation, and self-giving in the context of religion and politics to explore why these images were produced and how they became paradigms of heroism.
Cave of My Ancestors
Exploring family stories reveals the rich history of a seventh-century Buddhist shrine. As a young girl in Bombay, Kirin Narayan was enthralled by her father’s stories about how their ancestors had made the ancient rock-cut cave temples at Ellora. Recalling those stories as an adult, she was inspired to learn more about the caves, especially the Buddhist worship hall known as the “Vishwakarma cave.” Immersing herself in family history, oral traditions, and works by archaeologists, art historians, scholars of Buddhism, Indologists, and Sanskritists, Narayan set out to answer the question of how this cave came to be venerated as the home of Vishwakarma, the god of making in Hindu and Bud...
The Creative South
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to reca...
