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Winner of the prestigious Akutagawa Prize, three dream-like tales of memory and war: part of our Japanese novella series, showcasing the best contemporary Japanese writing A Japanese man, far from home, travels the countryside of Normandy with a friend - talking about war, literature, and everything in between. As his ideas of his life become more entangled with his personal writing, the pangs of his past and his half-forgotten memories overlap and threaten his peace. Owing a debt to French writers from La Fontaine to Proust, the three fable-like tales in The Bear and the Paving Stone are stories of loss, memory and a longing to belong.
At 28,251 feet, K2 might be almost 800 feet shorter than Everest, but it is a far tougher proposition. Unlike Everest, there is no "Yak route" for commercial clients. It is hard climbing all the way from its base to its summit. K2 will kill you on the way up and kill you on the way down. Mick Conefrey tells the story of three extraordinary expeditions filled with riveting drama and unimaginable tragedy- Fritz Wiessener's controversial attempt of 1939, the disastrous American expedition of 1953, and the huge Italian expedition of 1954 on which K2 was first climbed. He captures the bold and eccentric characters - their friendships and rivalries, their guilt and betrayals. At the center of the narrative is Charlie Houston, who led the failed 1953 exhibition, who was forced to give up his ambition of ever reaching the summit, and who was haunted for the rest of his life by the ghosts of the world's most beautiful and lethal mountain.
To view the resulting photographs is an uncanny experience."--BOOK JACKET.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The Hasegawa Reader is an open access companion to the bilingual catalogue copublished with The Noguchi Museum to accompany an international touring exhibition, Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan. The exhibition features the work of two artists who were friends and contemporaries: Isamu Noguchi and Saburo Hasegawa. This volume is intended to give scholars and general readers access to a wealth of archival material and writings by and about Saburo Hasegawa. While Nog...
Shoji Ueda (1913-2000) remained profoundly attached to his birthplace of Tottori, on the Sea of Japan, which he used as a backdrop for the vast majority of his work. Ueda was a sedentary adventurer, ceaselessly exploring the dunes that sculpted the landscape throughout the seasons. His keen eye was drawn to everything around him: a map of the world, a wheat field caressed by the wind, a boy in roller skates, the graceful figure of his wife, Nore. . . .When Ueda wasnt out wandering, he composed still lives of seasonal fruit and incongruous objects, small treasures found here and there. This publication brings together a great many previously unpublished photographs, in both black and white and colour. For the occasion, Chose Commune has given carte blanche to the writer Toshiyuki Horie (Yukinuma and Its Environs, The Bear And The Paving Stone), whose text is like musical notes resonating with the photographers distinctive universe.
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This book attempts a coherent portrait of the heart of Japan's economic and political decision making. It presents the men occupying the core positions in Japan's ruling party, the central ministries, and in big business and its organizations. Elite career patterns, social origins, upbringing, university education, cognitive orientations and ways of life are reviewed, as are the interactions in the exclusive world of Japan's increasingly hereditary and bureaucratic class of power holders in conservative politics and big business.
During the first half of the twentieth century, Zen Buddhist leaders contributed actively to Japanese imperialism, giving rise to what has been termed "Imperial-Way Zen" (Kodo Zen). Its foremost critic was priest, professor, and activist Ichikawa Hakugen (1902–1986), who spent the decades following Japan’s surrender almost single-handedly chronicling Zen’s support of Japan’s imperialist regime and pressing the issue of Buddhist war responsibility. Ichikawa focused his critique on the Zen approach to religious liberation, the political ramifications of Buddhist metaphysical constructs, the traditional collaboration between Buddhism and governments in East Asia, the philosophical syste...
A Flash memory is a Non Volatile Memory (NVM) whose "unit cells" are fabricated in CMOS technology and programmed and erased electrically. In 1971, Frohman-Bentchkowsky developed a folating polysilicon gate tran sistor [1, 2], in which hot electrons were injected in the floating gate and removed by either Ultra-Violet (UV) internal photoemission or by Fowler Nordheim tunneling. This is the "unit cell" of EPROM (Electrically Pro grammable Read Only Memory), which, consisting of a single transistor, can be very densely integrated. EPROM memories are electrically programmed and erased by UV exposure for 20-30 mins. In the late 1970s, there have been many efforts to develop an electrically erasa...