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Serurubele
Johannesburg performance-poet Katleho Kano Shoro puts her stage presence into print with this metapoetic debut collection that captures the cadences of her fearless voice, her unassuming sense of humour, and her enthusiasm for an Afrocentric literary culture. Katleho reflects on creativity, on the writing, reading and performance of poetry, exploring the language that structures it, the forces that inspire it and the transformation that follows our experience of it. From there her words wander through personal relationships and politics, articulating ideas about masculinity, sexuality, blackness, colonialism and our connections to those we love. Crafted with both the spoken and written word in mind, Serurubele invites you not only to read poetry but to voice it, to taste the language as it flows from your tongue, to feel its rhythms and to hear its rhyme. Katleho has performed in Johannesburg, Cape Town, Grahamstown, Swaziland and London, and has been involved in myriad African literary initiatives. Recordings of her readings can be found online.
Serurubele
Serurubele means ‘butterfly’ in Sesotho. It is the art of metamorphosis, a mind in flight and the beat of poetic expression. I offer you my perspectives, my many mothers’ teachings. I present both hopelessness and moments that excite, the taxi mgosi that makes me write. Johannesburg performance-poet Katleho Kano Shoro puts her stage presence into print with this metapoetic debut collection that captures the cadences of her fearless voice, her unassuming sense of humour, and her enthusiasm for an Afrocentric literary culture. Katleho reflects on creativity, on the writing, reading and performance of poetry, exploring the language that structures it, the forces that inspire it and the tr...
The Only Magic We Know
The Only Magic We Know is a celebration of all the poets Modjaji has published. This anthology offers a taste of the range and diversity of the poems that have appeared in the individual poets collections.
Agringada: Like a gringa, like a foreigner
You wear silence sitting on the concrete floor of a library a shroud like speech Language does not belong to you… An honest exploration of dislocation and (un)belonging in its forms: exile from language, exile from country, and exile from sanity. In her debut collection of poetry, Ndoro divides and intermingles national and personal history in an attempt to reach herself. Within its fragmented prose and lyrical poems, Agringanda is not only a celebrated capture of language but also of its intriguing subversion as it navigates meetings of class, gender, nationality and race.
Colour Me Melanin
Colour Me Melanin is a poetry and colouring book featuring 27 women from 27 African tribes in their traditional attire. There is also a short synopsis for each tribe explaining the region/s the tribe is located in, their history as well as some interesting facts about the tribe. It was created by Katlego Kekana - born out of a love for meditation through colouring, children, and the arts - in particular - African poetry. The book features poems by Mfumo and Fumane Ntlhabane, Belita Andre and Katleho Kano Shoro, was edited by Vus'umuzi Phakathi and the designs were created by Kholisile Zwane. The message it conveys is one of unity – an appreciation that, despite our varying backgrounds and cultures – we are all one. A message also of pride: Pride in our femininity. Pride in our heritage. Pride in our stories and history which have carved who we are today.
The Postcolonial Animal
Despite the central role that animals play in African writing and daily life, African literature and African thinkers remain conspicuously absent from the field of animal studies. The Postcolonial Animal: African Literature and Posthuman Ethics demonstrates the importance of African writing to animal studies by analyzing how postcolonial African writing—including folktales, religion, philosophy, and anticolonial movements—has been mobilized to call for humane treatment of nonhuman others. Mwangi illustrates how African authors grapple with the possibility of an alternative to eating meat, and how they present postcolonial animal-consuming cultures as shifting toward an embrace of cultura...
Bodies of Knowledge
Spanning the countries of South Africa, Swaziland, and Ghana, this collection of work brings into focus child and youth experience together as a collage of anthropology, creative writing, poetry, and the fine arts. Woven together by questions related to the political economy of child and youth well-being, identity formation, and the multiple layers through which children articulate their health-narrative, ‘ Bodies of Knowledge’ considers living in and coping with chronic illness, spirit-possession, and death. The growth in Critical Health Humanities and the Arts globally, suggests the desire for blended efforts to draw in a wider breadth of knowledge that cuts across the divided worlds of critical social science and the arts. This book, set in an African context, offers myriad possibilities for cross-disciplinary synergies as learning sites. It is a critical contribution to the field of children and childhood studies.
Agringada: Like a gringa, like a foreigner
An honest exploration of dislocation and (un)belonging in its forms: exile from language, exile from country, and exile from sanity. In her debut collection of poetry, Ndoro divides and intermingles national and personal history in an attempt to reach herself. Within its fragmented prose and lyrical poems, Agringanda is not only a celebrated capture of language but also of its intriguing subversion as it navigates meetings of class, gender, nationality and race.
From the Pandemic to Utopia
The coronavirus pandemic forces us to rethink our contemporaneity. It has brought to the surface dimensions of human fragility that partially contradict the euphoria and human hubris of the fourth industrial revolution (artificial intelligence). It has also aggravated the social inequality and racial discrimination that characterize our societies. The book argues that the virus, rather than an enemy, must be viewed as a pedagogue. It is trying to teach us that the deep causes of the pandemic lie in our dominant mode of production and consumption. The systemic overload of natural resources creates a metabolic rift between society and nature that destabilizes the habitat of wild animals and the vital cycles of natural regeneration whereby pandemics become an increasingly recurrent phenomenon. In trying to take seriously this lesson the book proposes a paradigmatic shift from the current civilizatory model to a new one guided by a more equitable relationship between nature and society and the priority of life, both human and non-human.
This Body is an Empty Vessel: Poetry
Here is poetry that is personal yet spreading to have its tentacles struggling to grip into other equally slippery facets of life. In brief, Beaton writes his poetry to assuage his personal feelings yet in so doing he ends up massaging our shared experience - as Malawians, Africans and just as humans. Beaton has observed, learnt, and is growing in the Malawian poetry space. Thus, he also comes to the stage bearing the Malawian influence on his poetry.
