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"“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves. As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement."
This three-volume set LNCS 13338-13340 constitutes the thoroughly refereed proceedings of the 8th International Conference on Artificial Intelligence and Security, ICAIS 2022, which was held in Qinghai, China, in July 2022. The total of 166 papers included in the 3 volumes were carefully reviewed and selected from 1124 submissions. The papers present research, development, and applications in the fields of artificial intelligence and information security
The present work is a study on the formation of the Shih-ching. The author poses the hypothesis that this collection of poems, as the standard music and literature passed down to later generations, initially incorporated different cultural heritages through a process which moved from ritualization to secularization, as well as standardization to localization. In aiming to find the origins of the division of the Shih-ching into sections and subsections and their titles, as "Nan," "Feng," "Ya," and "Sung," the author employs an interdisciplinary methodology, combining ethno-musicological methods with paleography, philology, and archaeology. He draws on new archaeological data of the past two decades that has shed new light on the Shih-ching.
During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions, and the historical context, Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed.
Researchers and professionals
Formerly banned in China, performed at New York's Lincoln Center, and named as an Outstanding Academic Book by Choice, The Peony Pavilion has an intriguingly diverse appeal.
The book is the volume of “Slavery Civilization in Xia, Shang and West Zhou Dynasty” among a series of books of “Chinese Dynastic History”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millenni...
This book constitutes the refereed proceedings of the 10th International Teletraffic Congress, ITC 2007, held in Ottawa, Canada, June 2007. Coverage includes IPTV planning and modeling, network performance, traffic engineering, end-to-end delay in converged networks, queuing models, impact of convergence and divergence forces on network performance, traffic management in wireless networks, and network design for capacity and performance.
The book aims to reflect characteristic aspects of Dr Picken's study of Oriental and other non-Western musics. Appealing in particular to those engaged in the study of non-Western music, the volume will also interest everyone concerned with musical structures and their development.