You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
None
None
Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the process may appear confusing and bewildering. It also demonstrates the persistence of tradition and limits of continuities and changes in modern Chinese cluture. Most significantly, it compels us to ask several important questions in the study of modern Chinese culture: How extensively can cultural tradition be re-interpreted before it is subverted? At what point is creative re-invention an act of betrayal of tradition? How has selective borrowing from Chinese tradition and foreign cultrue enabled modern Chinese artists to sustain themselves in the modern world? By focusing on the art of Huang Pin-hung (1865-1955), particularly his late work, this book attempts to provide some answers to these questions.
First multi-year cumulation covers six years: 1965-70.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
As Dr Needham's immense undertaking gathers momentum it has been found necessary to subdivide volumes into parts, each to be bound and published separately. The first part of Volume 4, already published, deals with the physical sciences; the second with the diverse applications of physics in the many branches of mechanical engineering; and the third will deal with civil and hydraulic engineering and nautical technology. With this part of Volume 4, then, we come to the application by the Chinese of physical principles in the control of forces and in the use of power; we cross the frontier separating tools from the machine. We have already noticed that the ancient Chinese concept of chhi (somewhat similar to the pneuma of the Greeks) asserted itself prominently in acoustics; but we discover here that the Chinese tendency to think pneumatically was also responsible for a whole range of brilliant technological achievements, for example, the double-acting piston-bellows, the rotary winnowing-fan, and the water-powered metallurgical blowing-machine (ancestor of the steam-engine); as well as for some extraordinary insights and predictions in aeronautics.
A collection of anecdotes, conversations, and remarks concerning historic personalities of 150 to 420 A.D. China.
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.