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A double biography of Jean-Marie Roland and Marie-Jeanne Phlipon, later Madame Roland, leading figures in the French Revolution.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
It's as if he's being mocked from beyond the grave. When John Nichols arrives to identify the body of an old friend, he is immediately caught up in the detritus of Alan Musgrave's life, the side of Paris the tourists don't see, where everyone has a past but very few count on a future. But what can he expect from a man who bled to death in his own excruciating S&M stage show? Now there's a maverick police lieutenant on the prowl who thinks that Musgrave's suicide was murder. Guérin might not look like much, but he's one of the few honest officers on the force. As the horrific extent of police abuse is revealed, the race is on to find the link between a slew of recent suicides - and the key to it is buried deep in Nichols's past. Bed of Nails does for Paris what James Ellroy did for vintage America, shining a light as never before on the seedy underbelly of La Ville-Luminère.
Discover the addictive first book in Fred Vargas’s internationally acclaimed Jean-Baptiste Adamsberg series ‘The hottest property in contemporary crime fiction’ Guardian Jean-Baptiste Adamsberg is not like other policemen. His methods appear unorthodox in the extreme: he doesn't search for clues; he ignores obvious suspects and arrests people with cast-iron alibis; he appears permanently distracted. In spite of all this his colleagues are forced to admit that he is a born cop. When strange blue chalk circles start appearing overnight on the pavements of Paris, only Adamsberg takes them - and the increasingly bizarre objects found within them - seriously. And when the body of a woman with her throat savagely cut is found in one, only Adamsberg realises that other murders will soon follow... ‘Rich and witty' Independent **Winner of The CWA Duncan Lawrie International Dagger**
France Between the Wars challenges a prevailing assumption that women had little influence or power in France during the interwar period. Siãan Reynolds shows how women in fact had both autonomy and authority within the political arena.
'Powerful . . . unputdownably gripping' Guardian 'The island itself. Its throbbing heat as if in a belljar under the sun, the scorpion in his son's bed, the deafening sound of cicadas' During his first holiday on the island of Porquerolles Dr Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence - or may destroy him. This is the first English translation of The Mahé Circle, Simenon's dark, malevolent depiction of an ordinary man trapped in mundanity and consumed by obsession. 'Extraordinary . . . Simenon is one of the most important writers of the 20th century' Independent
Winner of the Leo Gershoy Prize from the American Historical Association, 1998, for the best book in Early Modern European History. Timothy Tackett&’s Becoming a Revolutionary revisits one of the most controversial moments in history: the beginning of the French Revolution. How did it arise? Why did French men and women become revolutionaries? To answer these questions, Tackett focuses on the experiences of the 1200 members of the first French National Assembly. Drawing upon on a wide range of sources, including contemporary letters and diaries, Tackett shows that the deputies were a group of practical men, whose ideas were governed more by concrete subjects than by abstract philosophy. Though it may seem surprising now, most of the deputies were actually in support of the king. Instead of being initiated as a result of a specific ideology founded on Enlightenment principles, the ideas that eventually led to the French Revolution were, instead, a direct result of the actual process of the Assembly. First published in 1996 and hailed as an &“exemplary product of the historian&’s craft,&” Becoming a Revolutionary is now available in paperback for the first time.
In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Its cultural, economic, and political dominance is utterly astonishing and unique in world history. Viewing the Italy--the many Italies--of that time through the lens of today allows us to gather a fragmented, multi-faceted and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the acclaimed French historian, Fernand Braudel, achieves here. He brings to life the two extraordinary centuries that span the Renaissance, Mannerism, and the Baroque and analyzes the complex interaction between art, science, politics and commerce during Italy's extraordinary cultural flowering.
Why should each country have its own exclusive currency? Eric Helleiner offers a fascinating and unique perspective on this question in his accessible history of the origins of national money. Our contemporary understandings of national currency are, Helleiner shows, surprisingly recent. Based on standardized technologies of production and extraction, territorially exclusive national currencies emerged for the first time only during the nineteenth century. This major change involved a narrow definition of legal tender and the exclusion of tokens of value issued outside the national territory. "Territorial currencies" rapidly became bound up with the rise of national markets, and money reflec...