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Shyness is Nice
Fitzgerald was once a twee wallflower. He's remade his image as a tough, junkie hipster and wants to take his Smiths obsessed, cardigan-wearing friends with him. Fearing resistance, he approaches a surly, Australian pimp, Blixa and hires her "finest bitch" Kylie, to "de-virginize them." He pays for Kylie's services with bad dope. When a furious Blixa shows up for revenge, what is supposed to be the most special night of Rodney and Stew's life could very well be their last on earth. Heroin, Morrissey, Nick Drake, Nick Cave, Toto Cuelo, Chinese egg rolls and a baby snatching dingo all figure into this fast, fearless, pitch black sex farce. "Spitz writes with a buoyant irreverence that may evoke rewarding memories at times of playwrights Joe Orton and Charles Busch. And he's not afraid to address life's really big questions, such as what is the ideal recording to listen to the first time you have sex?" -Chip Deffaa, The New York Post
... Worry, Baby
Dexter and Donna's relationship has gone dull. To spice things up, they head to a trendy eatery on the Lower East Side, secure that "it's safe now." While waiting for a subway train, they witness a drug related shooting and find themselves face to face with a gravely wounded, white B-Boy named Larippo. He orders Dexter to go find help and holds Donna as collateral. Dexter heads up to Harlem to fetch Larippo's boss and a doctor while Donna shares her creative and sexual frustrations with the bleeding, sweating thug. Secrets and a lot more blood are spilled and nobody turns out to be who they seem. A gore and sex drenched black comedy about gentrification, cultural carpet bagging and the peril...
Performance Theatre and the Poetics of Failure
What does it mean to "fail" in performance? How might staging failure reveal theatre’s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples ...
Theatre and Adaptation
Contemporary theatrical productions as diverse in form as experimental performance, new writing, West End drama, musicals and live art demonstrate a recurring fascination with adapting existing works by other artists, writers, filmmakers and stage practitioners. Featuring seventeen interviews with internationally-renowned theatre and performance artists, Theatre and Adaptation provides an exceptionally rich study of the variety of work developed in recent years. First-hand accounts illuminate a diverse range of approaches to stage adaptation, ranging from playwriting to directing, Javanese puppetry to British children's theatre, and feminist performance to Japanese Noh. The transition of an existing source to the stage is not a smooth one: this collection examines the practices and the complex set of negotiations each work of transition and appropriation involves. Including interviews with Socìetas Raffaello Sanzio, Handspring Puppet Company, Katie Mitchell, Rimini Protokoll, Elevator Repair Service, Simon Stephens, Ong Keng Sen and Toneelgroep Amsterdam, the volume reveals performance's enduring desire to return, rewrite and repeat.
Girl Under Grain
GIRL UNDER GRAIN is US dramatist Karen Hartman's evocative dust bowl love story inspired by the book of Ruth. Two women travel a long road to a search for beauty and grace in this poetic drama, With an introduction by director Jean Randich.
The Immersive Theatre of GAle GAtes
This book focuses on experimental theatre company, GAle GAtes, credited as "the true innovator" of the contemporary immersive movement. The Immersive Theatre of GAle GAtes is a case-study of this little-known but visionary company, with a focus on its development and dramaturgy. Through rare archival and primary research, as well as historical context, the text chronicles company narrative and celebrates the artistic impulse. The book employs descriptive-narrative and dramaturgical analysis and is composed of historical research, rare archives, and primary source interviews. Chapters focus on the trajectory of the avant-garde leading up to the climate in which the company formed, company formative years, and major works and a discussion on the interdisciplinary and theoretical frameworks critical to its understanding. This study will be of great interest to students and scholars in theatre and performance studies and essential reading for theatre artist and historian alike, with a focus on the experimental theatre landscape.
Writing and the Modern Stage
This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.
New Dramaturgy
Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.
Adapturgy
"Challenging the binary categories of "new play" and "production" dramaturgy, this book offers both a theoretical model for understanding adaptation for the stage and a practical guide for dramaturgs and others involved in the creation of theatrical adaptations"--
The Theatre of Richard Maxwell and the New York City Players
The theatre of Richard Maxwell and the New York City Players has received significant international recognition over the past ten years. The company has received three OBIEs, for House (1999), Drummer Wanted (2002) and Good Samaritans (2005). Maxwell received a Guggenheim Fellowship in 2010 and has been commissioned by venues in the United States, the United Kingdom, Germany, Austria, the Netherlands, France, Belgium and Ireland. Although his productions generate a plethora of reviews, there is a deficit of material providing a critical and sustained engagement with his work. The aim of this book is to provide a critical survey of Maxwell’s work since 1992, including his early participation in Cook County Theater Department. Touching upon the acting, production and rehearsal processes of NYC Player’s work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.
