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Captured in the Middle
Sidner Larson’s Captured in the Middle embodies the very nature of Indian storytelling, which is circular, drawing upon the personal experiences of the narrator at every turn. Larson teaches about contemporary American Indian literature by describing his own experiences as a child on the Fort Belknap Reservation in Montana and as a professor at the University of Oregon. Larson argues that contemporary Native American literary criticism is stalled. On one hand are the scholars who portray Indians stereotypically, assuming that the experiences of all tribal groups have largely been the same. On the other hand are those scholars who focus on the “authenticity” of the writer. In contrast, ...
The Rockies in First Person
The autobiography has not always been acknowledged as true literature. Since 1970, however, American memoirs have revealed themselves as a respectable literary genre, distinct with an inimitable literary voice and a unique capacity to intersect narration and reflection. This study focuses critical attention on ten memoirs from the northern U.S. Rockies, including Utah, Colorado, Wyoming, Montana, and Idaho. By comparing memoirs representing states that share similar demographic, ecological, and socio-economic characteristics, this historic and literary analysis reveals both commonalities and divergences among American Western memoirs. Each chapter compares two books of similar thematic concerns, ranging from regional values and rural evolution to dynamic landscapes and the experiences of American Indians.
Writing the Everyday
In Writing the Everyday Danielle Fuller analyses writing by Atlantic Canadian women from diverse backgrounds. Drawing extensively on original interviews with writers, editors, and publishers, Fuller investigates how and why communities form around texts that record women's everyday realities, histories, and traditions, showing that prose writing and poetry performances combine oral storytelling, family history, and other aspects of local cultures with popular literary genres to address issues of racism, sexism, and poverty.
Anishinaabe Ways of Knowing and Being
Very few studies have examined the worldview of the Anishinaabeg from within the culture itself and none have explored the Anishinaabe worldview in relation to their efforts to maintain their culture in the present-day world. This book fills that gap. Focusing mainly on the Minnesota Anishinaabeg, Lawrence Gross explores how their worldview works to create a holistic way of living. However, as Gross also argues, the Anishinaabeg saw the end of their world early in the 20th century and experienced what he calls 'postapocalypse stress syndrome.' As such, the book further explores how the values engendered by the worldview of the Anishinaabeg are finding expression in the modern world as they seek to rebuild their society.
Indigenizing the Academy
Native American scholars reflect on issues related to academic study by students drawn from the indigenous peoples of America. Topics range from problems of racism and ethnic fraud in academic hiring to how indigenous values and perspectives can be integrated into research methodologies and interpretive theories.
The Church on the Margins
Examines the state of the American Christian community from a cross-cultural perspective.
Companion to James Welch's The Heartsong of Charging Elk
James Welch was one of the central figures in twentieth-century American Indian literature, and The Heartsong of Charging Elk is of particular importance as the culminating novel in his canon. A historical novel, Heartsong follows a Lakota (Sioux) man at the end of the nineteenth century as he travels with Buffalo Bill’s Wild West show; is left behind in Marseille, France; and then struggles to overcome many hardships, including a charge for murder. In this novel Welch conveys some of the lifeways and language of a traditional Sioux. Here for the first time is a literary companion to James Welch’s Heartsong that includes an unpublished chapter of the first draft of the novel; selections from interviews with the author; a memoir by the author’s widow, Lois Welch; and essays by leading scholars in the field on a wide range of topics. The rich resources presented here make this volume an essential addition to the study of James Welch and twentieth-century Native American literature.
Native American Writers
Presents a collection of critical essays analyzing modern Native American writers including Joy Harjo, Louise Erdrich, James Welch, and more.
Mediation in Contemporary Native American Fiction
Mediation is the term James Ruppert uses to describe his important new theory of reading Native American fiction. Focusing on novels of six major contemporary American writers - N. Scott Momaday, James Welch, Leslie Silko, Gerald Vizenor, D'Arcy McNickle, and Louise Erdrich - Ruppert analyzes the ways in which these writers draw upon their bicultural heritage, guiding Native and non-Native readers alike to a different and expanded understanding of each other's worlds. While Native American writers may criticize white society, revealing its past and present injustices, their emphasis, Ruppert argues, is on healing, survival, and continuance. Their fiction aims to produce cross-cultural unders...
Looking Like the Enemy
At the beginning of the twentieth century, thousands of Japanese citizens sought new opportunities abroad. By 1910, nearly ten thousand had settled in Mexico. Over time, they found work, put down roots, and raised families. But until now, very little has been written about their lives. Looking Like the Enemy is the first English-language history of the Japanese experience in Mexico. Japanese citizens were initially lured to Mexico with promises of cheap and productive land in Chiapas. Many of the promises were false, and the immigrants were forced to fan out across the country, especially to the lands along the US border. As Jerry García reveals, they were victims of discrimination based on...
