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Abstraction and the Holocaust
Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.
Machine in the Studio
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
A Russian Jew of Bloomsbury
A Russian Jew of Bloomsbury looks at the remarkable influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf, Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never escape the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society, including the hearts and minds of many of his famous literary friends.
Looking Back at My First Eighty Years
This volume offers a fascinating, impressively detailed, account of the professional and personal life of a prominent historian of Latin America. It covers his youth, contacts with a young Leonard Bernstein, and his education at Boston Latin School and Harvard. He served in WWII, rising from private to master sergeant, ending up in a three-man military intelligence unit on Okinawa. There he held in his hands the first aerial photos of atomic-bombed Hiroshima, and was an eye witness to the surrender of Japanese holdouts. In rising from college instructor to department chair Potash recounts the conflicts and tensions that make up academic life. His two-year leave with the State Department was ...
The New Monuments and the End of Man
How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculpture In the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation. Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Sm...
Art International
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Art Voices South
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A Life in the American Century
For the past eight decades, we have lived in “the American Century” – a period during which the US has enjoyed unrivalled power – be it political, economic or military - on the global stage. Born on the cusp of this new era, Joseph S. Nye Jr. has spent a lifetime illuminating our understanding of the changing contours of America power and world affairs. His many books on the nature of power and political leadership have rightly earned him his reputation as one of the most influential international relations scholars in the world today. In this deeply personal book, Joseph Nye shares his own journey living through the American century. From his early years growing up on a farm in rura...
