You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book searches for the origins of modern thinking in one of the best-known stories of our cultural heritage. By applying institutional and constitutional economics to biblical interpretation, it uses new approach to reconstruct the Paradise story. The author challenges the old conceptual dualism between economics and theology/philosophy.
Through the study of green, environmentally friendly consumers, this book incorporates original, groundbreaking anthropological and cognitive research to examine basic aspects of the workings of the human mind.
This book offers a radical new way of approaching the Old Testament. Sigmund Wagner-Tsukamoto argues that rational, institutional and constitutional economic lessons can be derived from the Old Testament, with applications to social conflict and resolution. The book suggests that this religious text also anticipated many modern economic advances.
In a fresh and stimulating institutional analysis, the author of this book focuses on the key works of Frederick W. Taylor, Herbert A. Simon and Oliver E. Williamson.
(Vol 1.) Wagner's Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner's creation was such that he himself felt he stood before his work "as though before some puzzle." A clue to the Ring's greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer's Christian interests may be detected in the "forging" of his Ring, looking at how he appropriated his sources (whether they be myths and sagas, writers, poets, or philosophers) and considering works composed around the same time, especially his Jesus of Nazareth. -- back cover.
This book offers a radical new way of approaching the Old Testament. Sigmund Wagner-Tsukamoto argues that rational, institutional and constitutional economic lessons can be derived from the Old Testament, with applications to social conflict and resolution. The book suggests that this religious text also anticipated many modern economic advances.
A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tr...
This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.
None
For over a century, Richard Wagner's music has been the subject of intense debate among philosophers, many of whom have attacked its ideological-some say racist and reactionary-underpinnings. In this major new work, Alain Badiou, radical philosopher and keen Wagner enthusiast, offers a detailed reading of the critical responses to the composer's work, which include Adorno's writings on the composer and Wagner's recuperation by Nazism as well as more recent readings by Philippe Lacoue-Labarthe and others. Slavoj Zizek provides an afterword, and both philosophers make a passionate case for re-examining the relevance of Wagner to the contemporary world.