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C.P.E. Bach
C.P.E. Bach's Selected Keyboard Works have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.
Beethoven Piano Sonata No. 8 Op.13 Pathetique
This excellent 1949 Artur Schnabel edition of the famous "Pathetique" sonata features footnotes in English, Spanish, Italian, German and French. There are also fingering, dynamic, and performance suggestions by the editor.
A Little Keyboard Book
Published within the 'Signature' Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Also includes informative introductions and performance notes.
Selected Sonatas
Our editors have selected six complete sonatas from Haydn's set of 56, choosing sonatas from the less-demanding levels and advancing in difficulty. This is a valuable resource for introducing students to this standard literature! Titles are: * Sonatas No. 3 in F Major * No. 5 in G Major * No. 14 in C Major * No. 35 in A-flat Major * No. 42 in G Major * No. 48 in C Major. Beautiful covers, exquisite engravings, and meticulous editing have made this series a best seller everywhere.
Music Theory in Practice
Fully revised, this workbook remains the best way to prepare for ABRSM's Grade 5 Theory of Music Exam. Features a clear explanation of music notation, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions and helpful tips for students.
Piano Sonatas, Volume 1 (Nos. 1-8)
Beethoven wrote 32 sonatas for piano. Volume 1, edited by Stewart Gordon, includes the first 8 sonatas (Op. 2, Nos. 1-3; Op. 7; Op. 10, Nos. 1-3; and Op. 13 ["Pathétique"]), written between 1795 and 1799. Since these autographs no longer exist, this edition is based on the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
Selected Sonatas
Compiled for intermediate to early-advanced pianists, this edition includes biographical information on Scarlatti, performance notes by the editor and composer, explanations of ornamentations, and a discussion on the influence of Spanish folk music on Scarlatti's works.
Three Piano Pieces, Op. 23
Schubert's Three Piano Pieces have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.
Beethoven Piano Sonatas, Volume 2 (Nos. 9-15)
Beethoven wrote 32 sonatas for piano. Volume 2, edited by Stewart Gordon, includes Sonatas 9--15 (Op. 14, Nos. 1--2; Op. 22; Op. 26; Op. 27, Nos. 1--2; and Op. 28), written between 1798 and 1801 and published shortly after they were written. Of the sonatas in this volume, autographs exist for Op. 26; Op. 27, No. 2 (the first and final pages are missing); and Op. 28. This edition is based on the existing autographs and the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
