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Cedric Watts, M.A., Ph.D., Emeritus Professor of English at Sussex University, gathers here seventeen of his literary essays which were previously published in a diversity of locations. The authors discussed include: Shakespeare, Dickens, James Fenimore Cooper, Maupassant, Kipling, O. Henry, Anthony Hope, Conan Doyle, John Buchan, John Galsworthy, Stephen Crane, Joseph Conrad, James Joyce and Graham Greene.
From April to November 1935 in Belgium, fifteen Lakotas enacted their culture on a world stage. Wearing beaded moccasins and eagle-feather headdresses, they set up tepees, danced, and demonstrated marksmanship and horse taming for the twenty million visitors to the Brussels International Exposition, a grand event similar to a world’s fair. The performers then turned homeward, leaving behind 157 pieces of Lakota culture that they had used in the exposition, ranging from costumery to weaponry. In Lakota Performers in Europe, author Steve Friesen tells the story of these artifacts, forgotten until recently, and of the Lakota performers who used them. The 1935 exposition marked a culmination o...
In this interdisciplinary study, Faherty argues that throughout the late eighteenth and early nineteenth centuries, Americans conceptualized their still unsettled political and social states through metaphors of home building. During this period, a pervasive concern with the design and furnishing of houses helped writers to manage previous encounters with settlements, both native and European, and to imagine and remodel a new national ideal. By aligning the period’s architectural concerns (registered in both the interior and exterior of houses) with concurrent debates about the need to create a national identity in the wake of the American Revolution, Faherty registers how representations ...
Between 1820 and 1860 a set of established cultural values deemed the "Cult of Domesticity" sought to shape the private and public lives of individuals in a rapidly changing American society. Promoting the ideals of conformity in religious, domestic and personal development, the cult was particularly concerned with maintaining a status quo of piety, purity, obedience and domesticity in 19th century female behavior. While a number a female writers responded through literature to the social standards they were urged to emulate, the prominent male writer James Fenimore Cooper reacted as well, addressing the predominant cultural climate through texts that establish women as an integral part of t...
A Historical Guide to James Fenimore Cooper features new critical essays by noted American literature scholars, Gerald Kennedy, John P. McWilliams, Dana Nelson, and Barbara Mann, as well as a brief biography by authorized Cooper biographer Wayne Franklin and a survey of Cooper scholarship and criticism and bibliography by Jeffrey Walker. Kennedy examines Cooper's five-volume Gleanings in Europe as the most ambitious effort by an antebellum American author to scrutinize the new nation from a critical, transnational perspective. McWilliams challenges the critical and scholarly neglect of Cooper's women, by analyzing the four Revolutionary War novels in which young women play critical roles in ...
A cosmopolitan author who spent nearly a decade in Europe and was versed in the works of his British and French contemporaries, James Fenimore Cooper was also deeply concerned with the America of his day and its history. His works embrace themes that have dominated American literature since: the frontier; the oppression of Native Americans by Europeans; questions of race, gender, and class; and rugged individualism, as represented by figures like the pirate, the spy, the hunter, and the settler. His most memorable character, Natty Bumppo, has entered into American popular culture. The essays in this volume offer students bridges to Cooper's novels, which grapple with complex moral issues that are still crucial today. Engaging with film adaptations, cross-culturalism, animal studies, media history, environmentalism, and Indigenous American poetics, the essays offer new ways to bring these novels to life in the classroom.
The Last of the Mohicans enjoyed tremendous popularity both in America and abroad, offering its readers not only a variation on the immensely popular traditional captivity narrative of the time, but also characters that would become iconic figures in the young nation’s emerging literature. The novel’s central action follows Leatherstocking and his two faithful friends, Chingachgook and Uncas, as they come to the aid of two daughters of a British officer seeking to become reunited with their father. The novel provides insights into Cooper’s own thinking on Native American and White relations during the early national period, revealing a profound ambivalence to the reality that the rising fortunes of the young United States meant the declining fortunes of the nation’s Native American inhabitants.
An examination of the renowned author's complex portrayal of frontier America James Fenimore Cooper's Leather-Stocking tales—The Pioneers, The Last of the Mohicans, The Prairie, The Pathfinder, and The Deerslayer (1823–1841)—romantically portray frontier America during the colonial and early republican eras. Bill Christophersen's Resurrecting Leather-Stocking: Pathfinding in Jacksonian America suggests they also highlight problems plaguing nineteenth-century America during the contentious decades following the Missouri Compromise, when Congress admitted Missouri to the Union as a slave state. During the 1820s and 1830s, the nation was riven by sectional animosity, slavery, prejudice, populist politics, and finally economic collapse. Christophersen argues that Cooper used his fictions to imagine a path forward for the Republic. Cooper, he further suggests, brought back Leather-Stocking to test whether the common man, as empowered by Jackson's presidency, was capable of republican virtue—something the author considered key to renewing the nation.