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This book teaches students how to make sense of the Christian bible as a unity, in the context of the story of Jesus.
This brief, accessible book offers a unique approach to the theme of the kingdom of God and to biblical theology. Sigurd Grindheim explains the whole Bible's teaching on the kingdom of God, discussing its implications for the Christian, the church, and politics. Grindheim shows what it means that God rules on earth, how his rule is established through the work of Christ, and how this rule is embodied by the church today, offering a new vision for the church's role in the kingdom: putting God's gifts to work.
How do the different books of the Christian bible contribute to telling the story of God's salvation in Jesus Christ? How can the diverse and sometimes confusing range of perspectives in the bible join together in one picture? Sigurd Grindheim shows students how this picture can be seen as that of the Triune God, the God who interacts. God makes human beings who enjoy a peaceful relationship with him. This relationship is broken because of sin, but God continues to reach out to human beings through covenants. Human failure to be faithful shows that God needs to intervene in a more direct way. In his son Jesus Christ, he comes to earth and brings reconciliation. Grindheim draws on insights from scholarship and tradition to answer the major questions and presents them in a highly accessible form, using examples, revision questions and charts. This book is written specifically for students at the start of courses in the Bible, Theology and Ministry, and for those searching for a deeper understanding of the theology of the Christian bible.
In this book Sigurd Grindheim argues that Jesus implicitly claimed to be God's equal and that his claim to be God's son must be understood in this light. The argument unfolds through analysis of the gospel accounts regarding Jesus' claims to inaugurate the Kingdom of God, his understanding of his miracles, his forgiveness of sins, his expectation to be the ultimate judge of all the world, his claim to speak with an authority that matches that of the Mosaic law, the absolute demands he made to his disciples, and his appropriation for himself of metaphors that in the Scriptures of Israel were exclusively used of YHWH. Furthermore Grindheim traces these claimes back to the Historical Jesus. Through a comprehensive examination of the primary sources, Grindheim argues that Jesus' claims go beyond the claims made on behalf of human and even angelic beings within Second Temple Judaism. Jesus presents himself in a role that in a Jewish context was reserved for YHWH.
An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself. The approach focuses as much on the reception and response that Dummy engendered as it does on the original production of the album. How is that so many people have, collectively, made a quintessential headphone album into a nightclub album? How have they made the product of a niche local scene into an international success? This is the story of how an innovative, experimental album became the iconic sound for the better part of a decade; and an aesthetic template for the experience of music in the digital age.
Despite the striking frequency with which the Greek word kyrios, Lord, occurs in Luke's Gospel, this study is the first comprehensive analysis of Luke's use of this word. The analysis follows the use of kyrios in the Gospel from beginning to end in order to trace narratively the complex and deliberate development of Jesus' identity as Lord. Detailed attention to Luke's narrative artistry and his use of Mark demonstrates that Luke has a nuanced and sophisticated christology centered on Jesus' identity as Lord.
Found Theology is a book about how theology deals with newly-encountered (of 'found') material in time, and about the role of imagination in these encounters. The book is unusual and ground-breaking exercise in the interdisciplinary discussion of theology and the arts. Ben Quash brings together elements of doctrine, scripture, the fine arts and the experiences of everyday life. He looks closely at Christian artistic traditions via a number of case studies that represent a rich source of examples of the way that the new times properly stimulate new expressions of known and loved things. Quash engages closely with some serious and prominent American scholars, namely Peter Ochs, Daniel W. Hardy, C.S. Peirce and David H. Kelsey.
The subject of early Christology is at the heart of the Christian faith. Believers in Jesus have been pondering the question that Jesus himself asked his disciples in Caesarea Philippi: "Who do you say that I am?" (Matt 16:15). Scholars have labored for years to answer this question from a variety of perspectives and they've come to some drastically different conclusions. In Christology in Review Nick Norelli collates a number of book reviews on the topic of early Christology that originally appeared on his blog Rightly Dividing the Word of Truth. The reviews contained in this volume range in length and focus but they all offer critical interaction with scholarship from one end of the spectrum to the other.
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian T...