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Francesca Woodman. Catalogo della mostra (Siena, 25 settembre 2009-10 gennaio 2010). Ediz. italiana e inglese
Questo volume accompagna una mostra già presentata a Murcia, in Spagna - che propone una scelta di 114 scatti della grande fotografa statunitense Francesca Woodman (Denver, 1958 New York, 1981). Questo volume si configura come il più completo e recente riferimento editoriale per conoscere l'opera della fotografa. Vi sono riprodotte le opere in mostra quasi tutte di piccolo formato e fra le quali spiccano alcuni inediti accompagnate dai testi di Isabel Tejeda, Marco Pierini e Lorenzo Fusi, da apparati biografici e da una bibliografia completa sul lavoro dell'artista. Annotation Supplied by Informazioni Editoriali
Sandy Skoglund. Catalogo Della Mostra (Torino, 24 Gennaio-24 Marzo 2019). Ediz. Illustrata
Jersey City-based photographer and installation artist Sandy Skoglund (born 1946) constructs sets featuring handmade sculptures and human characters, achieving the idea of a total work of art. In this way, her works are at once installations, sculptures, collages and, finally, photographs. Edited by the great Italian curator Germano Celant, this comprehensive monograph, comprised of more than 400 images, compiles Skoglund's photography, a discipline she broached in the 1970s, while in New York, in order to document her work. Ranging from the earliest photographic series of the mid '70s (which already feature the characteristic themes of the domestic setting and its transformation into a place of apparitions between the comical and the unsettling) to previously unpublished photographs that the photographer has recently created. Also included are specimens of the strange creatures that inhabit her photographs, the colorful sculptures of foxes, fish and other animals that play as foils to the otherwise everyday scenes of her tableaux.
Etruscology
This handbook has two purposes: it is intended (1) as a handbook of Etruscology or Etruscan Studies, offering a state-of-the-art and comprehensive overview of the history of the discipline and its development, and (2) it serves as an authoritative reference work representing the current state of knowledge on Etruscan civilization. The organization of the volume reflects this dual purpose. The first part of the volume is dedicated to methodology and leading themes in current research, organized thematically, whereas the second part offers a diachronic account of Etruscan history, culture, religion, art & archaeology, and social and political relations and structures, as well as a systematic treatment of the topography of the Etruscan civilization and sphere of influence.
Christian Dior, Esprit de parfums
"This volume showcases the perfumes of Christian Dior against the backdrop of his life--the Belle Epoque of his youth, the "Roaring Twenties" of his young adulthood and the postwar period of his success as a fashion designer and perfumer. From 1946, before his first collection had even been debuted, Dior was interested in perfume, launching the iconic Miss Dior fragrance (along with the perfumer Paul Vacher) in 1947, and later gaining great success with fragrances such as Diorissimo, Eau Sauvage, Poison and J'Adore." -- From Amazon.
Caravaggio
Edited and text by Rossella Vodret.
Bellotto and Canaletto
This book reveals the extraordinary artistic relationship between Canaletto (Venice 1697?1768) and Bernardo Bellotto (Venice 1722?Warsaw 1780): from the speed with which the exceptional young nephew learned from the teachings of his uncle? leading him to become his alter ego in works for English collectors? to the end of their direct relationship, with Canaletto in London and Bellotto in European capitals such as Dresden and Warsaw. Particular attention is paid to the interests developed by Bellotto on his travels: his rigorous perspectives and precise rendering of architecture, landscapes and portraiture, modern themes that differentiate him significantly from his uncle, who clung to the more splendid and idealised eighteenth century. The recent rediscovery of the inventory of goods from Bellotto's house in Dresden finally offers a key to understanding the culture and personality of an artist who was one of the eighteenth-century?s most restless and free. 0Exhibition: Galleria d'Italia, Milan, Italy (25.11.16 - 03.03.2017).
Michele de Lucchi E Amdl Circle. Connettoma. Synapsis of Humanistic Architecture. Ediz. Italiana E Inglese
Michele De Lucchi and AMDL Circle Connettome details the connections activated in the design work of Michele De Lucchi's studio, named AMDL CIRCLE since 2019.0Through a suggestive photographic sequence, the book traces the most significant creations of the studio, combined in order to make visible what the designer calls the "synapses of architecture", meaning the associations of emotions, memories and thoughts that stimulate new creativity. Covering over 20 years of activity, the images reveal a way of thinking about architecture and design in the light of a multidisciplinary, visionary, future-oriented - in a word, humanistic - approach. At the end of the book, which includes a text by De Lucchi, is a chronologically arranged selection of projects carried out in the new millennium, in the fields of architecture, interiors, installations, product design, graphics and research.
Photography and Modern Icons
This volume analyzes how six protagonists of culture, between the end of the 19th century and the beginning of the 20th century, built their media image by exploiting the innovations brought about by the invention of photography. By exalting the cult of personality, eccentric narcissism and the nascent mass communication, they made the photographic portrait the tool through which they could become celebrities and, at the same time, found fashion and clothing styles that are still of reference today. From De Mérode’s stereotype of beauty to Baudelaire’s total black dandyism, and from Schwarzenbach’s lesbian-chic style to Nijinsky’s eroticizing exoticism, the book provides detailed insights into the life and work of various protagonists, always keeping in the background the cultural and artistic context of European Modernism. It will particularly appeal to scholars and students of contemporary art, the history of photography, fashion studies and mass communications.
Becoming Matisse
On the 150th anniversary of the painter Henri Matisse (1869-1954), the Musée Matisse in Cateau-Cambrésis, which was founded by the artist in his hometown in 1952, pays tribute to the lesser-known man of the North, who became one of the greatest masters of the 20th century.0You thought you knew everything about Matisse's work? This exhibition reveals the mystery of the first 20 years of his career and the awakening of a genius moving from shadow to light. It honours his early works from the revelation of painting, and his academic training until the end of his academic studies in Paris, where he taught until 1911.0This decisive and defining period of his identity helps us to understand how he grew into a painter on his Hauts-de-France lands. It dissects the creative process of the man copying the ancients, drawing inspiration from the greatest masters of the past and his contemporaries, to shake the codes with 'luxury, calm and voluptuousness' and impose himself on the rank of those he has contemplated.00Exhibition: Musée Matisse, Cateau-Cambrésis, France (09.11.2019 - 09.02.2020).
Debordering Europe
This contributed volume analyzes in depth how a border area is constantly reshaped as migration policies harden, and what kind of social, political and economic impacts are produced at local and international level. The study is focused on Ventimiglia, an Italian town located 6 km away from the French-Italian border on the gulf of Genoa with a long story of commerce, custom and smuggling activities related to its proximity to the frontier. While several projects have analyzed other symbolic places of the EU migration crisis such as Lampedusa, Calais and Lesvos, there is a severe empirical gap regarding Ventimiglia, a border town at the very geographic core of the Schengen area. This case study may provide emblematic insights into what European migratory movements are currently revealing in terms of the lack of shared responsibility between EU Member States, the EU common asylum system and respect for human rights, with increasing claims for national sovereignty by some Member States.
