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Tropes ranging from Houston Baker's "bluesman," to Henry Louis Gates' "signifyin'" to Geneva Smitherman's "talkin' and testifyin'" to bell hooks' "talking back" to Cheryl Wall's "worrying the line" all affirm the power of sonance and sound in the African American literary tradition. The collection of essays in Speaking in Tongues and Dancing Diaspora contributes to this tradition by theorizing the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women. Looking to work by such prominent black female authors as Alice Walker, Sherley Anne Williams, Toni Morrison, Zora Neal Hurston, among many others, Mae G. Henderson provides a deeply felt reflection on race and gender and their effects within the discourse of speaker and listener.
This book presents the way in which African American women writers (Hannah Crafts, Zora Neale Hurston and Toni Morrison) have followed the spiritual endeavor of black Christianity as created by early nineteenth-century spiritual narratives to construct a sacred reading of the black female self. The sacred femininity that puts the ethics and aesthetics of African American women at the center of a certain mode of (African) Americanness relies on a view of spirituality that joins women ontologically and validates affective modes of representation as an innovative means to obtain social and personal empowerment.
This volume has as a cohesive argument the exploration of the different manifestations of the search for wholeness and spirituality in the writings of contemporary African American women writers, covering different literary genres such as fiction (both novels and short stories), drama and poetry. Together with the issue of spirituality, the African American search for wholeness is analyzed as a source of creativity and agency. As expressed in the contemporary literature of black women writers, starting in the 1980s, the search for wholeness reflects a beauty realized through the healing of the spirit and the body, and is a process that takes on dimensions of reconciling the past and the pres...
This volume sheds light on how to construe the contemporary political vicissitudes of the Black experience and the ongoing struggle for agency, belonging, and civil rights. It offers a fresh look at familiar concepts such as activism and belonging and models innovative approaches for studying the African diasporic experience in the 21st century.
The present volume explores through cultural and literary representations the contributions of women to the construction of knowledge in an ever changing, global world as migrant subjects. The essays contained in this book also focus on the female body as a site of physical violence and abuse, fighting prevalent stereotypes about women’s representations and identities. This collection intends to enter a forum of discussion in which the colonial past serves as a point of reference for the analysis of contemporary issues. Women’s strategies for building possible identities are seen to be based on their own experiences, seeking the ways in which the public marking and marketing of the femal...
This volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind (Caruth 1996, 3) and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.
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The development of new sexualities and gender identities has become a crucial issue in the field of literary and cultural studies in the first years of the twenty-first century. The roles of gender and sexual identities in the struggle for equality have become a major concern in both fields. The legacy of this process has its origins in the last decades of the nineteenth century and the twentieth century. The Victorian preoccupation about the female body and sexual promiscuity was focused on the regulation of deviant elements in society and the control of venereal disease; homosexuals, lesbians, and prostitutes’ identities were considered out of the norm and against the moral values of the...
The School Story: Young Adult Narratives in the Age of Neoliberalism examines the work of contemporary writers, filmmakers, and critics who, reflecting on the realm of school experience, help to shape dominant ideas of school. The creations discussed are mostly stories for children and young adults. David Aitchison looks at serious novels for teens including Laurie Halse Anderson’s Speak and Faiza Guène’s Kiffe Kiffe Tomorrow, the light-hearted, middle-grade fiction of Andrew Clements and Tommy Greenwald, and Malala Yousafzai’s autobiography for young readers, I Am Malala. He also responds to stories that take young people as their primary subjects in such novels as Sapphire’s Push ...
Aquest llibre reflecteix l'evolució en el camp dels estudis diaspòrics. Els articles han estat agrupats en dues seccions. La primera té com objectiu les experiències dels africans diaspòrics; la segona secció, àmplia el radi de recerca i se centra en les representacions literàries de la diàspora dels asiàtic-americans, porto-riquenys i als anglo-europeus. De la mateixa manera, un aspecte no menys interessant d'aquest llibre són les múltiples maneres en les que s'han tornat a teoritzar les idees de Paul Gilroy i a aplicar-se a una infinitat d'escrits. De fet, els articles testifiquen la diàspora com una experiència que potencialment pot -com així succeeix- afectar a tot el món, pel que la diàspora es converteix en una representació metonímica de la pròpia experiència.