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This anthology includes translations of a number of original poems from each of the ten collections of poetry published to date by Spanish poet Ana Maria Fagundo. Its goal is to provide a representative sample of Fagundo's work for an English audience. With the basic tenet of phenomenology as scaffold, the introduction of this anthology elucidates Fagundo's poetic writing as a process whereby the abstract is transformed into a concrete experience through the speaker's own self and body. From Brotes/Buds in 1965 until Trasterrado Marzo/March Beyond in 1999, Fagundo's poetry is an ongoing dialogue with the poetic word. Fagundo's poetic speaker looks into essences, but only in order to reintegrate them into existence. There is no Truth or Beauty or Good out there for which this poet strives, but a truth that each poet articulates in his or her own way. Hers is an aesthetic enterprise, which implies the ethical obligation to affirm life. Candelas Gala is Professor and Chair of the Department of Romance Languages at Wake Forest University.
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Stock displays an enviable and intimate knowledge of the text of Augustine, above all of his Confessions and, as the book progresses, of the De Trinitate.
Ehre als ethischer, moralischer und sozialer Wert oder als Unbescholtenheit, Keuschheit und Anstand weiblicher Familienangehöriger? Globalisierung und 50 Jahre alte Migrationsgeschichte konnten die «Fremdheit» zweier Kulturen nicht beseitigen. Diese Arbeit klärt über das Wissen um die kulturellen Normen und Werte auf, um während der Ermittlungstätigkeiten die richtige Perspektive zu wahren, in der Rechtsprechung dogmatisch richtig vorzugehen und schließlich kriminalpräventive Maßnahmen ergreifen zu können. Wichtig ist, Gewalt im Namen der Ehre aus unterschiedlichen Perspektiven zu beleuchten, um verstehen zu können, wer Täter und Opfer sein kann und welche Hintergründe die Motivation begründen.
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