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África Brasil
Among the long string of historical albums he created, África Brasil, from 1976, is a milestone in Jorge Ben's career. It is the record in which he definitely swaps the acoustic for the electric guitar. Narrating Jorge Ben's journey, album by album, to África Brasil, the 14th studio LP of his career, the journalist Kamille Viola interviews musicians, producers, researchers and even soccer stars like Zico (honored in the track "Camisa 10 da Gávea" to review the artist's life story and the background details of the album's production. Considered to be the high point in the career of the author of "Umbabarauma", África Brasil comprises alongside A tábua de esmeralda (1974) and Solta o pav...
Contracultura
Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. Dunn reveals p...
Brutality Garden
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropic¡lia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropic¡lia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Braz...
O melhor do Rock Brasil - Volume III
Neste terceiro volume da série estão presentes, entre outros, os seguintes artistas e bandas: RPM (A cruz e a espada), O Rappa (A feira), Léo Jaime (As sete vampiras), Ultraje a rigor (Ciúme), Cazuza (Codinome beija-flor), Lulu Santos (Como uma onda), Camisa de Vênus (Eu não matei Joana D`Arc), Mamonas Assassinas (Pelados em Santos), Djavan (Lilás), 14 Bis (Planeta sonho), Tim Maia (Você) e Kid Abelha (Pintura íntima).
O funk na batida
Este livro apresenta a história do funk, gênero musical de imenso sucesso popular no Brasil e no exterior, que gera recursos financeiros e a inclusão de sujeitos sociais marginalizados. Comumente associados à criminalidade, à violência e ao mau gosto, os frequentadores dos bailes são alvo constante de repressão policial e legislação proibitiva. Ao mesmo tempo, o ritmo é sinônimo de alegria, sensualidade, sucesso, glamour e ostentação – de brasilidade. No estudo que deu origem à obra, Danilo Cymrot traz a diversidade de estilos, valores e comportamentos nos bailes de São Paulo e do Rio de Janeiro. Também demonstra como a criminalização do funk, assim como um dia ocorreu com o samba e a capoeira, vai muito além do rechaço a uma manifestação cultural, revelando muito mais sobre a sociedade brasileira do que se pode imaginar.
1979
No livro "1979 – O ano que ressignificou a MPB", 100 LPs da época ganham histórias escritas por artistas e jornalistas, e resgatam a memória de um ano em que a música popular brasileira falou por si só. Em forma de prosa, resenha, reportagem ou entrevista, cada autor dá o seu estilo ao seu capítulo (veja a lista de autores e discos no final). Com esse conteúdo organizado pelo jornalista Célio Albuquerque, "1979 – O ano que ressignificou a MPB" é um livro grande, que traz para leitores e leitoras momentos especiais sobre álbuns especiais.
Punk Ethnography
This ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label’s releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys; and DVDs—all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies’ producers position themselves as heirs to canon...
Mantovânia
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Petrobras Magazine
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